Audio-technica At875r Short Shotgun Microphone Guitar Hanger

  • Designed for video production and broadcast (ENG/EFP) audio acquisition
  • Extremely short length (under 7″) ideal for use with compact digital cameras
  • Provides the narrow acceptance angle desirable for long-distance sound pickup
  • Excellent sound rejection from the sides and rear of mic
  • Tailored response minimizes camera and handling noise

Product Description
Audio-Technica’s AT875R is designed for video production and broadcast (ENG/EFP) audio acquisition. Audio-Technica’s shortest shotgun microphone, it mounts conveniently on a DV camcorder without adding noticeable heft, and is ideal for use with compact digital cameras. This high-performance microphone offers a narrow acceptance angle of line + gradient design. It also features smooth, natural-sounding on-axis audio quality and excellent off-axis rejection of sound arriving from the sides and rear of mic. Included furnished accessories: AT8405a stand clamp for 5/8″-27 threaded stands, 5/8″-27 to 3/8″-16 threaded adapter, windscreen, and a soft protective pouch.

Audio-Technica AT875R Short Shotgun Microphone

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One Response to “Audio-technica At875r Short Shotgun Microphone Guitar Hanger”

  1. Tom Iancu Says:

    Let’s say that you -like me – have a blog and you post some very interesting info on gadgets. Let’s assume that you bought (like me) a cool screen flow capture software like ScreenFlow but you are a bit disappointed by the audio your computer records via its built-in microphone. Let’s also assume that you have a cool high definition camcorder like the Canon VIXIA HFS10 and you would like to enhance the audio recording capabilities via an external mic. And, finally, let’s say you have only 200 bucks left after holiday season for any additional gadget you might want to buy until Father’s Day. And you heard that shotgun condenser microphones would match all your expectations but they are expensive. Do you have a problem with this or not ?

    Actually, no, you don’t. Here enters the Audio Technica AT875 – the perfect match for your requirements.

    I was in a similar dilemma one month ago until I ran into some review pages on the net and comparisons with much more expensive condenser microphones like the Neumanns, Sankens, Schoeps or Sennheisers. The AT875 kept extremely well with all these professional-grade condenser microphones. And it costs under 200 dollars !

    The AT875 is a pro-grade shotgun condenser microphone, compact (only 7 inches), very well built. It is a short shotgun condenser microphone that exhibits the sound quality and performance of larger, higher-priced shotgun microphones. If you google it you might run into some interesting audio samples on the net, or you might follow my blog link (see my profile) to listen some samples made by me. Since it is a short microphone, stays out of the frame when mounted on a camcorder, and has an incredible off-axis noise rejection. This is especially useful if you record in a room that has echo – you will be amazed that the mic does not capture the echo and the sound of the recording is pretty similar to anechoic recordings. Also because of its rather small dimension does not protrude “in your eyes” if you use it on a desk, for various blogging or video blogging needs.

    It has a smooth, and very natural audio reproduction with excellent detail capture. Lacks a bit of bass punch, but this is due to being tailored for a low frequency response that removes unwanted low frequency noise – a built-in “bass rolloff” that you cannot disable. You can always boost (+2 or +3dB) the bass in post prod so, from my point of view, this is not an issue. From this point of view I find the sound very natural and you can easily position the mic at one foot away (on a desk, I mean) and have a perfect recording of your voice.

    The only downsize of the mic is that it requires phantom power to operate. 11 to 52V phantom power will do. Also, you will have to buy a XLR cable because the mic has a standard XLR output. This might increase your expenses once you realize that you need an XLR interface with your computer. For my desk-based recording needs I have an E-MU 0404 USB 2.0 Recording Interface for Mac that provides phantom power for microphones, with two inputs for mic/ Hi-Z with separate preamps.

    For use with a camcorder, the AT875R integrates seamlessly with some of the smaller professional cameras. If your camera does not have XLR inputs, you might consider an universal microphone adapter for XLR. Something like the budget Beachtek DX-A2S Dual XLR Compact Audio Adapter (ok for all camcorders) will do the trick (I use it with my HFS10. Please remember that this is a MONOPHONIC microphone. You need two to get stereo recordings, or you may mix down on both output channels.

    The AT875R is probably the best bang for the buck that you might run into in this category (pro condenser mini-shotgun with balanced output and phantom power). In the box you will find a pouch, a mount adapter for stands and another thread adaptor for tripod mount. A wind shield is also included. More info and pictures on my weblog.

    I rate this with 5 stars. It is an amazing product that does not cost too much.