Archive for the ‘Usb Microphone’ Category

Hosa Cfs-607 12-pack Of Traditional Metal Headshell Jumpers

Monday, June 28th, 2010
  • 6 inch Jumper Cable for Pedal Effects, (METAL)
  • Pancake Style Plugs
  • 2 Pack – Set of 12 Cables
  • Model: CFS-607

Product Description
Hosa cables are known for their reliability and can be found in recording studios around the world.
Their line is very extensive and covers any recording need from digital cables to multipin snakes.

Get 2 packs with 6 cables in each pack!

HOSA CFS-607 12-Pack of Traditional Metal Headshell Jumpers for FX Pedals

Zoom R16 Multitrack Sd Recorder Controller And Interface

Sunday, June 27th, 2010
  • Digital recorder with 16-track playback and 8-track simultaneous recording utilizing Secure Digital (SD) memory
  • 16/24-bit/44.1kHz linear PCM recording in WAV format
  • Built-in stereo condenser microphones
  • Includes 1GB SD card and supports cards up to 32GB SDHC
  • Allows simultaneous recording on up to 8 tracks

Product Description
The Zoom R16 Multitrack SD Recorder Controller and Interface lets you bring your recording studio to the music! Zoom has revolutionized digital recording again with the first digital recorder with 16-track playback and 8-track simultaneous recording that utilizes Secure Digital (SD) memory. The new R16 recorder is three production tools in one incredibly versatile device. It’s a digital multi-track recorder, an audio interface and a control surface, providing you with all the tools necessary to create studio-quality recordings anywhere. The R16 combines a remarkable level of functionality with exceptionally intuitive design. For recording purposes, the unit supports up to 32GB SD cards, allowing over 100 track hours of recording. The flexibility of SD recording not only makes the R16 lighter and more portable, it also ensures increased reliability with no concern for a crashing hard drive. You can even have respective SD cards dedicated to specific recording sessions. Back up your project on a USB memory stick. With the ability to record up to 8 tracks simultaneously, it’s easy to capture a live band or even a complete drum kit. The R16 features built-in stereo condenser microphones for field recording or quick, convenient “sketch-pad” capturing of ideas and rehearsals. It also provides 8 combination XLR-1/4-inch inputs along with one Hi-Z input for direct connection of guitar or bass. And the R16 also runs on 6 AA batteries for the ultimate in multi-track portability. USB operation means you can control each function of your favorite DAW software from the R16 for easy mixing with fine-tuned control. Incorporate any of the 100+ built-in studio effects to enhance your recording and use the pro-quality mastering effects to complete that studio sound. You can even connect two R16s via USB for synchronized operation and 16 tracks of simultaneous recording.Amazon.com Product Description
The R16 Recorder/Interface/Control seamlessly combines multi-track recording, an audio interface, and control surface capability in a mobile production studio. Take your session anywhere.

The R16 combines multi-track recording, an audio interface, and control surface capability in a mobile production studio. Click to enlarge. or view device connections.

Record 8 tracks simultaneously.

Audio interface with 8-in/2-out capability.

Control surface for all major DAW functions.

Built-in high-sensitivity stereo microphones.

Supports SDHC cards up to 32 GB.

Record 8 tracks simultaneously with 16-track playback
Capture audio in any setting, from live music performance, drums with multiple mics to music rehearsals and songwriting, even audio for film and video. The R16’s simultaneous 8-track capability makes professionalism easy. Playback up to 16 tracks using its 16/24-bit linear WAV format and 44.1kHz sampling rate.

Audio interface with 8-in/2-out capability
The R16 functions as an audio interface enabling direct input of sound to a computer. Support for high quality 24-bit/96kHz encoding ensures great sound. Eight input channels and two output channels can be used simultaneously. If you use the sampling rate of 44.1kHz, the internal DSP effects of the R16 are also usable on your computer tracks. A dedicated control lets you adjust the mixing balance between the DAW playback sound and the direct sound for monitoring.

Control surface for all major DAW functions
Transport and mixing operations of the DAW software can be controlled using the R16. This gives you greater control and a better feel for mixing. In Mackie Control emulation mode, major DAW applications such as Cubase, Logic, and Sonar are supported.

Sync two R16s for 16 tracks of simultaneous recording
The R16 is the first recorder that incorporates the ability to generate a synchronization signal based on USB data transfer timing*. By connecting two R16 units via USB, you can designate one to function as a USB host and the other as a USB slave, allowing synchronized transport operation. This lets you record on up to 16 tracks simultaneously to competently handle a live performance.

* Synchronization accuracy has a tolerance of about 1 to 2 milliseconds.

Built-in high-sensitivity stereo microphones
When you want to quickly record anything from songwriting ideas to ambient room audio, the R16’s built-in set of stereo mics will come in handy. Vocals and acoustic instruments can be captured with excellent clarity.

Supports SDHC cards up to 32 GB
Because the R16 utilizes compact and readily available SD and SDHC memory cards as its recording media, there is no motor that can cause noise as with tape or discs. And you never need to worry about problems caused by external vibrations that can crash hard drives.

Versatile inputs for guitars, mics, and line sources
Its eight combination mic/line input jacks can handle mics or line-level signals. Phantom power is provided on channels 5 and 6 for use with condenser mics, and the Hi-Z switch for channel 1 accommodates a guitar or bass. The R16 is ready for any kind of input source.

Use master track for final mix
A dedicated master track lets you do the final mixdown right on the R16 without a separate master recorder. With sequence play, several projects can be mastered together and played automatically. And you can create playlists for finished songs in any order.

135 DSP effects including guitar amp simulations
The R16 comes preprogrammed with 135 types of digital effects for recording, mixing, and mastering. The insert effect has seven modules with algorithms optimized for guitar, bass and vocals. In addition, two send/return effects are also available, so that you can use up to three effects simultaneously. The R16 also comes with models of 18 different guitar amps such as Fender, Marshall, Vox and Mesa Boogie, and 6 bass amps such as Ampeg, Bassman and Hartke. A compressor and equalizer effect that handles 8 channels simultaneously provides further flexibility.

Tuner and metronome onboard
The R16’s built-in tuner is great for quickly tuning an instrument or checking the pitch of vocals. During recording, the metronome provides a click track for your drummer and is also handy for practice. The metronome sound can be sent to the headphones, letting you use a previously recorded backing track on stage during a performance.

Locate function makes editing easy
Set up to 100 marker points and directly locate them whenever you want. Other convenient functions for editing include A-B repeat playback and auto punch-in/out, making it easy to re-track part of the recording. The R16 can be powered from the supplied AC adaptor or six AA/LR6 batteries. A set of batteries will last for about four and a half hours, and because they are standard batteries, changing them is always easy and convenient. The audio interface and control surface functions can also be operated on USB bus power, providing another power option.

Power options
The R16 can be powered from the supplied AC adaptor or six AA/LR6 batteries. A set of batteries will last for about four and a half hours, and because they are standard batteries, changing them is always easy and convenient. The audio interface and control surface functions can also be operated on USB bus power, providing another power option.

USB 2.0 hi-speed mode for fast file transfer
Because the R16 has a USB 2.0 Hi-Speed compatible port, file transfer to a computer is quick and painless. Computer-based tasks such as editing with DAW software, burning your original CDs and importing WAV files are integrated smoothly into your workflow.

USB host capability for connecting USB memory
A USB flash drive or large-capacity external hard disk can be plugged into the USB port of the R16. This lets you quickly distribute a recording to band members after a rehearsal session or make a backup of your recordings even when you’re not near a computer.

Bundled with Cubase LE 4
Cubase LE 4 is a powerful music production system that can handle recording, editing, and mixing tasks both for audio and for MIDI. It incorporates the same audio engine as the multi-award winning, higher-level version Cubase 4, and is ideal as an entry into computer-based music production.

What’s in the Box
Zoom R16 Multitrack SD Recorder Controller and Interface, AC Adapter, 1GB SD Memory Card, USB Cable, Cubase LE Install Disc, User’s Manual

Zoom R16 Multitrack SD Recorder Controller and Interface

Uax220-mic Guitar Amp

Saturday, June 26th, 2010

Product Description
Digigram UAX220Mic is a professional USB Audio interface for broadcast and other demanding pro audio applications featuring 2/2 balanced analog high-quality I/Os. Under its compact and sleek design, it combines Digigram?s leading edge experience in audio performance with the ease of use of standard USB Audio. With two professional grade mic preamps, the UAX220-Mic is the most efficient Pro Audio interface for portable use.

UAX220-Mic

Low Noise In-ear Binaural Mics – Hi Sensitivity

Saturday, June 26th, 2010
  • Flat frequency response
  • High Sensitivity (Best for recording quieter sounds)
  • Set of windscreens included (Outside dimension: 1″ X .8″)
  • Omni-directional pickup pattern
  • Comfortable to wear – Small size molds to any ear

Product Description


SOUND PROFESSIONALS – LOW NOISE (HIGH SENSITIVITY – Best for recording quieter sounds) IN-EAR BINAURAL MICROPHONES, COMPATIBLE WITH MOST PORTABLE RECORDERS – MADE IN USA

The SP-TFB-2 Sound Professionals In-Ear Binaural microphones are mounted in extremely comfortable super-soft, In-Ear holders that slip right into the ear structure. Why put a microphone here you ask? Pretty simple, really. There have been many ‘binaural’ microphone designs over the years…….mics built into fake heads, built into Croakies, made with clips for attaching to glasses, built into headphones and earbuds. All of these have one flaw……none actually put the mic element in the best possible place for the most realistic recording – within the Pinna (the part of the human ear that is visible – the folds on the outside). Even earbud Binaurals have the mic element outside the Pinna. Because everyone’s Pinna is unique, a recording made in your own ears will sound the most realistic.

These mics put the mic element right next to the ear canal, well within the Pinna. This results in the most realistic recording possible, from the perspective of the person wearing them. While recording, your hearing is not impaired, so you can enjoy the sound of the performance while making a very realistic recording. The cables terminate in a stereo 1/8″ (3.5mm) gold-plated miniplug. Black cable models with standard sensitivity have straight plugs, all others use right-angle plugs. There are two available microphone sensitivities. The standard sensitivity option is for use in situations that will range from fairly quiet to extremely loud sounds. The high sensitivity option if for use in situations that will range from extremely quiet to moderately loud sounds. Microphone cables are available in black or beige.

Features

* Can be used directly with any recorder that has “plug-in-power” or with a battery module * Pro

LOW NOISE IN-EAR BINAURAL MICS – HI SENSITIVITY w/ WINDSCREENS

Korg Music Synthesizer With 8 Band Vocoder &

Friday, June 25th, 2010
  • Korg Music Synthesizer With 8 Band Vocoder & Microphone
  • Ultimate Support JamStands Medium Keyboard Bench
  • On-Stage Stands Standard Keyboard Stand

Product Description
Korg’s microKorg XL offers up to 128 sounds, from leads, basses, to arpeggios. The onboard external audio inputs gives you the ability to connect any audio source and use it as the waveform, and then process it with the microKORG XL’s synthesizer engine. Featuring 17 onboard effects from Korg’s KAOSS pad system, including reverbs, choruses, and decimation along with distortion effects. You can apply two effects to any program. AC power, or batteries can power the microKorg XL, which gives you mobility to produce on the go. A 16-band vocoder with a detachable gooseneck microphone gives you the ability to perform with vocoded vocals. The microKorg XL features an LCD screen, three knobs to explore full edit mode, ability to choose filters, adjustment of AMP, EG, and LFO settings, add effects, equalize the sound, and the ability to save on the spot. A new virtual patch mode, to assign certain aspects of synthesis to control others, like having the LFO modulate the filter cutoff, or set the modulation wheel to control EG1’s release time. There is up to six virtual patches available per program. The Korg microKORG XL features a USB connection, to interact with a computer via MIDI. Included is an Editor Librarian, to edit sounds on the screen and also easily navigate through and organize them.
–Plus– Ultimate Support JamStands Medium Keyboard Bench, On-Stage Stands Standard Keyboard Stand.

Korg Music Synthesizer With 8 Band Vocoder & Microphone With Ultimate Support JamStands Medium Keyboard Bench & On-Stage Stands Standard Keyboard Stand

Sound Pros – Low Noise In-ear Binaural Mics Guitar Capo

Thursday, June 24th, 2010
  • Flat frequency response
  • Omni-directional pickup pattern
  • Comfortable to wear – Small size molds to any ear
  • Set of windscreens included (Outside dimension: 1″ X .8″)
  • Can be used directly with any recorder that has “plug-in-power” or with a battery module

Product Description


SOUND PROFESSIONALS – LOW NOISE IN-EAR BINAURAL MICROPHONES, COMPATIBLE WITH MOST PORTABLE RECORDERS – MADE IN USA

The SP-TFB-2 Sound Professionals In-Ear Binaural microphones are mounted in extremely comfortable super-soft, In-Ear holders that slip right into the ear structure. Why put a microphone here you ask? Pretty simple, really. There have been many ‘binaural’ microphone designs over the years…….mics built into fake heads, built into Croakies, made with clips for attaching to glasses, built into headphones and earbuds. All of these have one flaw……none actually put the mic element in the best possible place for the most realistic recording – within the Pinna (the part of the human ear that is visible – the folds on the outside). Even earbud Binaurals have the mic element outside the Pinna. Because everyone’s Pinna is unique, a recording made in your own ears will sound the most realistic.

These mics put the mic element right next to the ear canal, well within the Pinna. This results in the most realistic recording possible, from the perspective of the person wearing them. While recording, your hearing is not impaired, so you can enjoy the sound of the performance while making a very realistic recording. The cables terminate in a stereo 1/8″ (3.5mm) gold-plated miniplug. Black cable models with standard sensitivity have straight plugs, all others use right-angle plugs. There are two available microphone sensitivities. The standard sensitivity option is for use in situations that will range from fairly quiet to extremely loud sounds. The high sensitivity option if for use in situations that will range from extremely quiet to moderately loud sounds. Microphone cables are available in black or beige.

Features

* Produces extremely realistic recordings * Shipped insured * Brand new

SOUND PROS – LOW NOISE IN-EAR BINAURAL MICS w/ WINDSCREENS

Sound Professionals – Low Noise In-ear Binaural Mics Guitar Amp

Thursday, June 24th, 2010
  • Flat frequency response
  • Omni-directional pickup pattern
  • Comfortable to wear – Small size molds to any ear
  • Set of windscreens included (Outside dimension: 1″ X .8″)
  • Can be used directly with any recorder that has “plug-in-power” or with a battery module

Product Description


SOUND PROFESSIONALS – LOW NOISE IN-EAR BINAURAL MICROPHONES, COMPATIBLE WITH MOST PORTABLE RECORDERS – MADE IN USA

The SP-TFB-2 Sound Professionals In-Ear Binaural microphones are mounted in extremely comfortable super-soft, In-Ear holders that slip right into the ear structure. Why put a microphone here you ask? Pretty simple, really. There have been many ‘binaural’ microphone designs over the years…….mics built into fake heads, built into Croakies, made with clips for attaching to glasses, built into headphones and earbuds. All of these have one flaw……none actually put the mic element in the best possible place for the most realistic recording – within the Pinna (the part of the human ear that is visible – the folds on the outside). Even earbud Binaurals have the mic element outside the Pinna. Because everyone’s Pinna is unique, a recording made in your own ears will sound the most realistic.

These mics put the mic element right next to the ear canal, well within the Pinna. This results in the most realistic recording possible, from the perspective of the person wearing them. While recording, your hearing is not impaired, so you can enjoy the sound of the performance while making a very realistic recording. The cables terminate in a stereo 1/8″ (3.5mm) gold-plated miniplug. Black cable models with standard sensitivity have straight plugs, all others use right-angle plugs. There are two available microphone sensitivities. The standard sensitivity option is for use in situations that will range from fairly quiet to extremely loud sounds. The high sensitivity option if for use in situations that will range from extremely quiet to moderately loud sounds. Microphone cables are available in black or beige. This product is NON-RETURNABLE for refund or exchange because it goes in the ear.

Features

* Produces extremely realistic recordings * Shipped insured * Brand

SOUND PROFESSIONALS – LOW NOISE IN-EAR BINAURAL MICS w/ WINDSCREENS

Pyle-pro Pphp123m – 12” 800 Watt Powered 2 Guitar Stand

Wednesday, June 23rd, 2010
  • High efficiency mid-low woofer
  • XLR stereo RCA line input
  • XLR and 1/4″ line outputs
  • XLR and 1/4″ mic inputs
  • Master volume, bass and treble controls

Product Description
12-Inch Subwoofer 1.4-Inch Titaniaum Comprepression Driver,USB Terminal/MP3 Control With Lcd Display,XLR And 1/4-Inch Mic Inputs,XLR Stereo RCA Line Input ,XLR and 1/4-Inch Line Outputs ,Master Volume, Bass Treble Controls ,High Efficiency Mid-Low Woofer ,35mm Titanium Dome Horn Driver ,PTC Driver Protect ,Power Output 800 Watts,Impedance: 8 Ohm ±20% ,Sensitivity: 101±3dB ,Crossover Frequency: 3.5K Hz ,35mm Speaker Stand Mount ,Frequency Response: 50Hz-20 KHz (-3dB) ,Metal Grill To Protect The Woofer,Plastic Cabinet,110/220 Voltage Selectable ,Dimensions: 16.6-Inch W x 12.8-Inch D x 23.5-Inch H

PYLE-PRO PPHP123M – 12” 800 Watt Powered 2 Way Full Range Loud Speaker System w/Built in USB/MP3 Player

M-audio O2 Compact Mobile 25 Key Usb Midi Guitar

Tuesday, June 22nd, 2010
  • Ultra-quiet 2-channel preamp
  • Each channel offers individually adjustable gain
  • Balanced XLR with phantom power or a 1/4″ instrument level input
  • Independent 1/4″ outputs (unbalanced or balanced TRS)
  • Direct box functionality

Product Description
The M-Audio O2 follows in the footsteps of the Oxygen8?the mobile USB MIDI controller that started it all. Small enough to fit in a bag along with your laptop, the slim-line M-Audio O2 is perfect for throwing down bass lines, programming drum patterns, triggering effects and tweaking virtual studio parameters ? anywhere, anytime. You get 25 full-size, half-action, velocity-sensitive keys, along with eight fully assignable knobs, eight fully assignable buttons and other real-time control features for performance and programming. One simple USB connection serves as both a MIDI interface and bus power source. Class compliancy with Windows XP and Mac OS X means that you can get down to business without even installing any drivers. 25 full-size, half-action, velocity-sensitive keys class-compliant in Windows XP and Mac OS X built-in 16 channel MIDI interface 8 fully assignable MIDI controller knobs 8 fully assignable buttons assignable volume slider modulation and pitch bend controls +/- octave buttons (+/- 4 octaves) sustain pedal input powered via USB or 9VDC adapter 3-digit LED screen Snapshot and Controller Mute buttons MIDI Out port USB port on/off switch Kensington Lock hole integrates with Enigma editor/librarian for unlimited memory storage. MIDI support for CC values, note on/note off, Program and Bank Change, SysEx, and more

M-Audio O2 Compact Mobile 25 Key USB MIDI Controller

Jbk M-4000n Midi / Dvd / Cd+g / Guitar

Tuesday, June 22nd, 2010
  • Key Control (For MIDI, VCD and MP3 Karaoke)
  • Voice Cancel (For MIDI Vocal songs and VCD Karaoke)
  • Vocal Partner (For MIDI Vocal songs and VCD Karaoke)
  • Scoring Function (For MIDI, VCD and CD+G Karaoke)
  • Over 40,000 songs international languages on the included discs

Product Description
* Brazil/Portuguese: 400
* Cantonese : 645
* Chinese: 9,532
* Taiwanese: 2,574
* English: 6,017
* Indonesian: 2,886
* Japanese: 567
* Filipino: 2,513
* Russian: 1,952
* Spanish: 3,697
* Korean: 9,145
* Vietnamese: 3,436
* MTV: 45
Total: 43,709
New Features:

* Superimpose: An external video can be used as the background video source
* Multi-Background Video
* MTV Songs
* V-Mode Function to select your TV Mode

Karaoke Features:

* 2 Microphone Inputs
* Digital Echo
* Key Control (For MIDI, VCD and MP3 Karaoke)
* Voice Cancel (For MIDI Vocal songs and VCD Karaoke)
* Vocal Partner (For MIDI Vocal songs and VCD Karaoke)
* Music Tempo Control (For MIDI, DVD and VCD)
* Melody On/Off (For MIDI Karaoke)
* Lyric On/Off (For MIDI Karaoke)
* Scoring System (For MIDI, VCD and CD+G Karaoke)

Special MIDI Karaoke Features:

* Plays over 40,000 songs (English, Filipino, Vietnamese, Spanish, Indonesian, Chinese, Taiwanese, Cantonese, Korean, Japanese, Brazil/Portuguese, and Russian)
* Melody On/Off
* MIDI Karaoke functions can also be operated on the front panel so you don’t have to use a remote (Handy if you lost the remote).
o Song Book
o Random Play
o On-Screen Song Title Menu
* Reserve up to 99 songs
* 9 Favorite Songs Lists for 9 singers, each holding 60 songs
* Lyric On/Off & Scroll Color select for Lyrics
* Chinese & Korean Pinyin On/Off
* Song Recording into USB memory via USB Host Interface
* Transfer data files to memory device (USB) without a PC

Other Features:

* Plays DVD (all region), VCD, CD+G, DivX, Audio CD, MP3 and JPEG etc…
* USB Hosting Features (Compatible with USB Memory, MP3P, Digital Camera, HDD Disc and Camcorder). Or use the Acesonic Memory Card Reader which is compatible with 32 types of memory cards to play your files easily.
* NTSC/PAL
* Auto Voltage (AC100-240V ~ 50/60Hz)
o Power Source: AC 100-240V ~ 50/60Hz
o Power Consumption: <15W

JBK M-4000N MIDI / DVD / CD+G / USB Karaoke Player with Video Superimposing & SD/MMC Reader Over 40,000 Songs Included