Line 6 Hd 147 300-watt Digital Modeling
- 8 Coveted Vintage Amp Models
- 10 Essential Modern Tones
- 14 Custom Tones from clean to grinding mayhem
- Amp tone available at the stereo XLR direct outputs
- 300-watt Stereo Power Amp and 12 Vintage effect models based on Line 6 Delay and Modulation Modeler Pedals
Product Description
When we introduced our Insane custom model in 1996, we redefined how much distortion you could squeeze out of a single piece of gear. Now we’ve got HD147 with 14 custom models like Smash, Big Bottom, Octone, Purge, and Agro that will send you into high-gain overload. But, we didn’t stop there. We added models based on boutique heads like the Diezel VH4 and Herbert, Peavey� 5150, Cornford mk50h, Marshall� Silver Jubilee and JCM2000, and Bogner Extacy and Ubershall.
Line 6 HD 147 300-Watt Digital Modeling Amp Head
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August 13th, 2010 at 11:00 pm
I have been playing hard rock and metal for 29 years (love Dream Theater, OLD Metallica, Vai, Satch, etc.). Wow, has it been that long? I have done more recording and gigging than I can remember. Anyway, I was skeptical when I first heard about this, read the reviews, and listened to some of the digital deniers/naysayers. I, too, have always preferred tube sound to digital. However, I quickly found that, if you understand and know how to properly adjust this amp, the distortion blows the others away… in depth, in styles, in selections, in sheer amount of leeway with which to experiment and create your own, signature sound (instead of being staying in the flock of sheep… you really want to sound like everyone else anyway? You can if you want with this amp… but, this amp allows for SO MUCH MORE. No one ever was cited as being innovative for sounding like others… But, I digress.) And, good GOD, when you click the STEREO switch and hear this thing through true, 2 sided stereo… THE distortion is absolutely beautiful, smooth, creamy, and just MAJESTIC-sounding. Doesn’t sound compressed and like you’re listening to it through a can… or has been compressed down to a few frequencies. Fills the entire room with a symphony of brutality. THAT, my friends, is where you get HEADROOM… STEREO SOUND. The clean sounds you can produce are without equal. Like playing crystal strings… shimmering, clear, and really brings out the different characteristics of adjustments to your guitar… volume, tone, pickup selections… where you pick on the fretboard, all of it. Amazingly responsive to different styles. It really shows off your instrument and your brand of music.
The ease of use, the bone-crushing distortions that go way beyond what anyone would ever use, the crystal cleans, and the effects are all incredible. Speaking of effects, how many amps have a pre-set noise gate that you don’t even have to really adjust for loud volumes? Just hit the button on your amp! Also, built in compression… again, just hit the button on your amp.
You know what, at the end of the day, all of these people who dribble on and on incessantly about that type of tube distortion and this type of tube distortion… Satriani, Vai, and Petrucci all use the Boss DS-1 distortion pedal to get their distortion sound. Yep, lol, that’s right. Look at their racks and their rigs… Lynch used ProCo (Rat) stomp box for his distortion. MANY players use Ibanez TS-1, etc, etc. Well, here’s an amp that you don’t have to go buy a pedal for… Ever.
Get this and enjoy the freedom. Throw your effects away. GET THE FBV SHORTBOARD, however… Have fun and make music, people!!! Enjoy!!