M-audio Microtrack Ii – Digital Voice Recorder – Guitar
- 2-channel WAV and MP3 recording and playback
- Battery-operated
- Immediate drag-and-drop file transfer
- Balanced 1/4 TRS inputs with line inputs
- S/PDIF digital input
Product Description
The redesigned MicroTrack II brings even more professional features to the original high-fidelity mobile digital recorder that’s been embraced by audio and film professionals worldwide. With an extended input gain range, analog input limiter, 48V phantom power, faster file transfer rate, seamless recording of files beyond 2GB in size and other enhancements, MicroTrack II delivers the highest quality mobile recording experience available today. Simply record WAV (BWF) and MP3 files to CompactFlash or Microdrives through balanced line inputs or built-in microphone preamps – then drag and drop recordings to your computer via high-speed USB 2.0 for immediate editing or Web posting. MicroTrack II is perfect for a wide variety of applications including field recording, capturing live shows, songwriting, education and more.
M-Audio MicroTrack II – Digital voice recorder – MP3
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Tags: Digital, MAudio, Microtrack, recorder, Voice
May 7th, 2010 at 5:48 am
I am a professional storyteller. As such, I have long been looking for a digital recorder that meets these requirements:
1. Is small enough to fit into my pocket when I perform.
2. Is easy to use in a performance (or practice) situation.
3. Is reliable enough for recording can’t-be-repeated performances and workshops.
4. Has low enough hiss that I can make a saleable professional recording from it.
5. Makes it easy to transfer files to my computer.
6. Works well with pro mics.
7. Is affordable ($400 or below).
Until the Microtrack II came along, there were no digital recorders that met all those requirements. I know; I tried several of them and researched the rest. All failed in one way or another, most noticably in ease of use (requiring digging into menus to set the record levels, for example), in low hiss (this model’s predecessor, for example, was just too noisy for pro recording), and in compatibility with pro mics, which requires true phantom power.
In fact, there is, as of this writing, no other small digital recorder that provides true phantom power for under $500. Period. Excellent performance recordings require a pro headworn or earset mic that is close enough to my mouth to screen out most room noises. No recording can be better than the sound of the mic used to record it! For people like me, therefore, phantom power is a must-have feature.
So you can imagine that I was excited when I read the specs and early reviews of the Microtrack II.
Initially, I was cruelly disappointed: the first units shipped with a bug in the firmware that caused most recordings to be lost. Major problem!
Fortunately, the 1.0.3 firmware update solved that major problem, completely. Now the Microtrack II is blessedly reliable.
At least one other review faulted the Microtrack II for having the record level controls on the top surface where they could be accidentally hit during a recording. This WOULD be a problem except for the excellent and convenient hold switch. And, for my purposes, the accessible record-level buttons on the Microtrack II are more than okay; they’re a part of fulfilling my criterion number 2 (above). When I’m trying to perform and record myself, I need record-level buttons that I can adjust easily. I can’t manage digging in a menu to adjust the levels, for example; I have enough on my mind and too little time, as it is.
By the way, the defeatable limiter on the Microtrack II seems to work great. It keeps loud sounds from being clipped, as it should. And it does that without creating distortion of any kind that I can hear. This is essential to my use, since I don’t watch the record levels while performing (just while setting up). A good limiter means that, if I talk louder than expected during a recording, the recording won’t be ruined, even if I have set the levels a tad too high.
The background hiss on the Microtrack II is not as low as I’d ideally like it. But it is low enough that I can easily edit it out. (The Noise Removal on the free Audacity editor, versions 1.3.5 and higher, for example, removes this level of hiss completely and without introducing artifacts.)
The biggest drawback in the Microtrack II’s design is its lack of a removeable battery. Other recorders manage to work on removeable AA’s. I wish this one did, too. But the workaround isn’t too hard to find: use an external USB charger when you want more than about 3 hours of recording before charging. (I like to be able to record an all-day workshop, for example.) Two good choices are the APC UPB10 Mobile Power Pack for charging mobile devices, which will run the Microtrack II for 11 hours or more on a single charge, if the Microtrack II is fully charged at the start, or the MobilePower USB Power Bank, which uses 4 AA batteries; to keep recording, just change out those batteries during a break after about 3 hours.
Other minor issues are the lack of a storage card (you have to provide your own), the use of Compact Flash cards instead of the cheaper SD cards, the absence of a belt-clip case, and the absence of XLR inputs.
To be fair, XLR jacks are so large that I can’t imagine where they could be put on a machine this small. And the included 1/4″ TRS balanced jacks are much more reliable than the usual 1/8″ jacks. So this seems like a reasonable trade-off for small size, even though you’ll have to search the web for a short adapter cable (to go from the XLR output of your pro mic to the 1/4″ TRS input). A 3-foot adapter cable adds too much bulk for my pocket! Fortunately, I found a 1-foot adapter by Rapco.
For my requirements, all the drawbacks to the Microtrack II are minor or can be worked around easily enough. I use my Microtrack II to record many of my performances and workshops, since it’s inconspicuous enough not to be distracting to my audience, even in small spaces and results in great recordings.
All in all, then, this is the first recorder to meet all of my requirements. I have been using my Microtrack II for over 6 months and can say that I love it. I have even taught a course in using it, for non-techie storytellers. If they can learn to love it and I (a high-techie storyteller) love it, you can love it, too. If you need a pocket recorder that works with pro mics, this is really your only choice on the market.
May 7th, 2010 at 7:48 am
While my first Microtrack 24/96 delivered amazing live-audience recordings, it was plagued with drawbacks that needed diligent attention. The Microtrack II smoothes all those bumps. Improved battery performance (if it’s charged properly the first time!!), added analogue peak limiter, seamless recording beyond 2Gb, improved file management, improved volume sensitivity, the list goes on… It’s well worth every penny I paid for it here at Amazon.
After reading some prior reviews, I believe it’s essential that a new buyer become thoroughly familiar with the machine before and after purchase. For example, this unit accepts both CF Card and microdrive storage units, but a microdrive will consume up to 20x more power. Hmmm. Another example: this machine records MP3’s just as an RS $30 unit will, but for the Microtrack price tag it will also record 24bit audio at 96kHz. Will you want to pay the Microtrack price to record MP3’s? And will you want to record full-depth audio with the supplied $10 electret microphone? Hmmm.
The Microtrack II does everything I want it to but only because I’ve done my homework. And it does it extremely well.
May 7th, 2010 at 10:13 am
This is a great unit for what it is. The recording quality is amazing with the right microphone(s) and the true 48 volt phantom power makes every microphone a viable option. Even the included t-mic sounded fair to good when recording in high resoulution (WAV / 24 / 44.1 or higher).
What I like – Ease of use. One touch recording is a snap and navigation the file is easy once you get used to it. It ain’t no iPod. It’s small, light, built well and has a low learning curve. Additionally, one of the BEST features that this unit has is the analog limiter. A loud peak in your audio source will cause distortion but the limiter corrects it before it even gets to the DAC. This is a huge plus for recording live music. The 1/4 inch input makes connecting to a mixer or a condenser mic a breeze. One warning though.. it should be a balanced 1/4 inch (TRS) connector. Don’t use and unbalanced input for 2 main reasons. 1. it will not pass phantom power to the condenser mic, and 2. it will be a bit noisy for signals such as an instrument or other unbalanced inputs.
What I don’t like – It ships without memory so you’ll have to buy your own. I bought mine at the big guitar store and a 512MB card cost me 40 bucks! I have since found it online for a MUCH better price so memory is not that big of a deal but would it hurt them to throw a small card in the box? There is no stand for the unit as well so you’re gonna have to be careful where you place it for your recording. You also can’t change the battery so when it dies, you have to send it in.
All in all, I compared it to the Edirol, the Zoom, and another smaller Yamaha unit and this is hands down the best of the lot. The Edirol was a close second because of the remote. The sound quality is about the same.
Good Luck!
May 7th, 2010 at 10:35 am
I already use a Microtrack 24/96. This MicrotrackII is an actual upgrade for several reasons: 48V phantom power, real attenuation on recordin gain, broadcasting wave format for impressing bookmark in the recording and so on.
Only yougth problem on the firmware. It often hangs while closeing recording, under external power. Need reset but the file is not corrupted
May 7th, 2010 at 12:29 pm
Researched this product thoroughly before buying, very enthusiastic about its touted capabilities. In theory this unit sounded great. On opening the box it has proven to be a total disappointment and waste of time; I’m writing this review to alert others. The first surprise was poor build quality out of the box; plastic feels cheap, like a $30 unit, not $499 list. This unit ships WITHOUT ANY MEMORY CARD; not even a token 125mb card, so you’ll need to buy your own card/s even to test it.’ Documentation was a joke’;just a 12 page pamphlet so vague as to be useless. The accompanying CD is, incredibly, NOTHING BUT A SCAN OF THE 12pp PAMPHLET. No video demo of any kind, no tutorial, no illustrations, no troubleshooter, no index, nada. Nothing but the pamphlet, scanned. A 99% empty CD thrown in for marketing. Because instructions do not correlate with the screen messages, setup is a nightmare.
Next disappointment was the monochrome LED screen. Outdoors, it’s completely unreadable. Indoors, at highest backlight setting (which is not very high) the screen is almost unreadable. Button control placement is inexplicably awkward, as if the unit had been designed in a Martian bunker by aliens that have never seen a standard 1970s-1990s handheld recorder before. The flash card eject button is an awkwardly tiny plastic folding lever which feels fragile, flimsy and breakable. The plastic body feels flimsy and fragile, as if a drop off a desktop would probaby kill it. The ‘erase’ and ‘record’ buttons are exposed and subject to accidental triggering, with all the problems that implies. M-Audio’s tech support leaves much to be desired.
Altogether the MT2 was an expensive disappointment, and I’ve returned it. More a Beta internal prototype than a product, not ready for actual release, terrible ‘documentation’, poor design, poor build, unreadable screen, and short battery life (the built in battery took 4 hrs to charge; M Audio advises against running the recorder while it’s plugged into an AC jack (!!!) another severe drawback. The only one getting a good deal out of this was the shipper, who made money on the round trip. two stars only for being an interesting concept; execution more like one star.