Sabine Mt9000 Metrotune Chromatic Tuner And Metronome Guitar Capo
- Wide-screen LCD display
- Built-in folding stand
- Batteries: Two AAA included FREE!
- Sabine 2-year Warranty
Product Description
Slim, compact design, just 4” wide
Sabine MT9000 MetroTune Chromatic Tuner and Metronome
Koch Chromatic Harmonica scales for chromatic harmonica
Koch Chromatic Harmonica scales for chromatic harmonica
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Koch Chromatic Harmonica play chromatic harmonica
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Tags: Chromatic, Metronome, MetroTune, MT9000, Sabine, Tuner
May 3rd, 2010 at 12:15 am
The metronome function is decent, but could be louder.
The tuner cannot register any notes in the bottom third of my tenor trombone range. Whenever I play a low note, the tuner gets utterly confused and becomes unable to register higher notes as well. Definitely don’t buy this tuner if you’re a low brass player. Perhaps this tuner was meant for string instruments?
If you’re looking for an excellent tuner, I highly recommend the Boss TU-12H.
May 3rd, 2010 at 12:35 am
I had the same problem with the note indicator that Mr. Bateman had until I realized a trumpet is a B-flat instrument but Sabine MT9000 tuner is made for C instruments. Transposing is easy, but it even easier to simply ignore the note indicator and rely only on the pitch indicator. I already know what note I’m playing. Wind instrument players should be careful not to add vibrato when using tuners. I ended up buying a Sabine MT8000 that has a much louder metronome and it transposes. It’s great.
May 3rd, 2010 at 12:43 am
I am a percussionist and music teacher.I’ve had this metronome for 5 years and I used it quite often. As a tuner, it did not work very well for me. As a timpanist, most of the notes I tuned were low. The metronome usually picked up the 5th of whichever note I was actually playing. So, like the others say, for low pitched instruments the tuner function isn’t great.
The metronome features are OK. The metronome doesn’t produce just any tempo – only tempos divisible by 4. (ie. 120, 124, 128, 132 etc.) Its true that most pieces use those tempos, but when I try to practice bringing the tempo up in a piece, I like to move the metronome up one click at a time. It produces 16th note rhythms, which is a function I’ve never felt a need to use. The metronome is FAR to quiet for me. It not even loud enough to turn on so that 3 flute players could hear it.
The biggest problem is logistical. The power button is big and easy to push. Make sure that you leave it set to “Tone” when you’re finished. Because if you don’t, when you carry the thing around, you will turn it on by accident, not be able to hear it, and then run the batteries down. (The flimsy case does nothing to prevent this). At least if you leave it on the “tone” setting, you’ll hopefully be able to hear it turn on. It helped a little bit to put a thin piece of cardboard over the front of the metronome before I put it in the case.
Finally, and most importantly, it completely died on me the night before I conducted my elementary school concert. It makes an interesting clicking sound if you shake it. This product should last more than 5 years, IMHO.
I’m replacing it with a metronome/tuner that received good reviews…Korg TM-40 Large Display Digital Tuner and Metronome
Hope this helps!
May 3rd, 2010 at 2:52 am
I got this because I really wanted a tuner with a tone generator, and this one was the only cheap one that I could find with that feature. The tone generator could be louder, but I don’t have a big problem with it. The real issue I have is with the tuner function–it just doesn’t seem to respond to ANYTHING I play on trombone. The needle moves very slowly and takes a long time to react after I make any adjustments, so I end up over-correcting and doing more harm to my pitch than good. I’ve noticed that the needle reacts more normally to my voice, so other instruments might be safe, but trombonists should avoid this tuner.
May 3rd, 2010 at 3:29 am
I’m a professional guitarist. I mostly teach guitar lessons, but also play solo gigs for weddings, parties, bars, coffee shops. I haven’t had to do any other work since 2001 (it’s late 2009 as of this writing). As a guitarist, I play acoustic, electric, and classical. I need to play Metallica, I play Metallica. Elliot Smith, I play Elliot Smith. Bach, I play Bach. Versatility has always been my thing. I wouldn’t have even mentioned that, but this tuner has been taken down more notches by other reviewers than I think it should have been. It is the best tuner/metronome that you can find under $[...]. Period. I don’t even know of other tuner/metronomes over that price range, b/c these days, they’re all under [...] I have used the $[...] strobe tuner (not also a metronome) that’s out there, and it’s way better than that. A lot of the poorer ratings are from trombone players. I don’t have anything to say to them or the other horn players that are looking for something to help them improve their intonation. Maybe this product isn’t for them. I don’t know. If you are a guitarist, however, acoustic, electric, or classical, I recommend it as highly as I can. It’s a sensitive and convincing tuner, and it’s a loud metronome. It is, in fact, the loudest metronome I’ve ever experienced that is also a tuner. There are stand-alone metronomes out there that are louder than this one, but they aren’t also tuners. It’s really great, because it will subdivide beats for you if that’s what you need. By “subdividing beats”, I mean, if you want the metronome to kick out dotted eighths followed by a sixteenth, it’ll do it, and it’s not hard to figure out how. If you have trouble with that, take a lesson with a music teacher of any instrument, and s/he’ll be able to sort you out. To give you a short list of similar products that I believe it’s better than, it’s better than the Boss TU80, and the Korg TM 40 (though for that one, the volume of the metronome is the deciding factor). In short, if you’re a guitarist or a bassist looking for a pocket-sized tuner or metronome that you won’t feel like upgrading from in the next 5 years or so, pick this one. It’ll set you back about [...]