Posts Tagged ‘Neumann’
Friday, December 17th, 2010
Product Description
KMS 105By employing a unique triple acoustic filter, The KMS 105 minimizes popping and wind noise, and with special mechanical and electrical filters, handling noise is virtually eliminated. Because of the superior resolution and linear high frequency response, it is very easy for the artist using the KMS 105 to identify whether he or she is “on mic”.Acoustical features:When compared to other handheld vocal microphones, the KMS 105 offers a superior resolution of the voice, with extended frequency response and accurate transient detail. Sibilance problems common to other handheld condenser mics are eliminated. No foam is used in the basket, thus eliminating any “clouding” or “muffling” of the sound. Also, by using a studio grade DC-polarized condenser capsule, all the nuances of the voice come through with subtlety, power and focus.The K55 capsule was developed from the famous K50, found in the KMS 150, KM 150 and KM 185 microphones. This new version features a super-cardioid pattern, achieved by specially modifying the response of the K50 pressure gradient transducer. The frequency response characteristic is developed in the acoustic realm, allowing for accurate representation of transient details found in music and speech, and thus transmitting a very “open” and detailed capture of the human voice.Requires phantom power.
Neumann KMS105 Microphone, Nickel Silver
Tags:*SILVER, KMS105, Microphone, Neumann, Nickel
Posted in Microphone Condenser | No Comments »
Tuesday, October 19th, 2010
Product Description
The TLM103 is a cardioid large diaphragm mic with a transformerless output stage. The K103 capsule is derived from the U67 and U87 capsules. Designed primarily for vocals the TLM103 also excels on piano, percussion and stringed instruments. Requires 48 volts phantom power. Includes the EA1 suspension and metalic briefcase.
NEUMANN TLM103-ANIVERSRY-NIC Microphone w/Shock Mount & Metal Case – Nickel finish
Tags:Case, Finish, Metal, Microphone, Mount, Neumann, Nickel, TLM103ANIVERSRYNIC, w/Shock
Posted in Microphone Condenser | No Comments »
Friday, October 15th, 2010
- Designed primarily for vocals the TLM103 also excels on piano, percussion and stringed instruments
- Includes an SG-1 swivel mount and wooden box
- Delivery includes an SG 103 swivel mount and a wooden jeweler’s box
Product Description
The TLM103 is a cardioid large diaphragm mic with a transformerless output stage. Designed primarily for vocals the TLM103 also excels on piano, percussion and stringed instruments. Requires 48 volts phantom power. Includes an SG-1 swivel mount and wooden box. By utilizing the tried and true transformerless circuit found in numerous Neumann microphones, the TLM 103 features yet unattained low self-noise and the highest sound pressure level transmission. The capsule, derived from that used in the U 87, has a cardioid pattern, is acoustically well-balanced and provides extraordinary attenuation of signals from the rear. Delivery includes an SG 103 swivel mount and a wooden jeweler’s box. ApplicationsDue to the universal cardioid pattern, straightforward handling, extremely low self-noise level, and finally, the price, the TLM 103 is predestined for all demanding applications from home recording to professional broadcasting and commercial recording studios. The capsule has a flat frequency response up to about 5 kHz, and above that, a wide flat 4 dB presence boost. The large wire mesh headgrille protects the capsule from plosive sounds and effectively prevents pop noises. With just 7 dB-A the self-noise level of the TLM 103 is so reduced that even the smallest signals are reproduced basically noise-free. As it is capable of handling sound pressure levels up to 138 dB without distortion, the TLM 103 provides a dynamic range of 131 dB.
NEUMANN TLM103-black Cardioid microphone, w/ mount & case
Tags:Cardioid, Case, Microphone, Mount, Neumann, TLM103black
Posted in Microphone Condenser | No Comments »
Monday, September 13th, 2010
- 3 selectable directional patterns: omnidirectional, cardioid, and figure-8
- 10dB attenuation switch
- 127dB SPL handling
- 20Hz to 20kHz response
- Impedance rated at 200 ohms. I
Product Description
The Neumann U87 studio Microphone is famous for its warm sound and well-balanced characteristics. Equipped with a large dual-diaphragm capsule with 3 selectable directional patterns: omnidirectional, cardioid, and figure-8, it offers a 6dB improvement in signal-to-noise over its predecessor. A 10dB attenuation switch enables the U87 to handle sound levels up to 127dB without distortion; and the low frequency response can be reduced to compensate for proximity effect. The preferred studio vocal mic for decades, the Neumann U87 also makes a great main mic for band or home studio recordings, as well as a spot mic for single instruments. Frequency range: 20Hz to 20kHz; impedance rated at 200 ohms. The Shockmount includes a windscreen, cable, EA87 elastic suspension and comes in a wooden jeweler’s box.Requires phantom power.
Neumann U87 Ai Shockmount Set Z Microphone with Box
Tags:Microphone, Neumann, Shockmount
Posted in Microphone Condenser | No Comments »
Thursday, September 2nd, 2010
- Technical Data
- Acoustical operating principle Pressure gradient transducer
- Directional pattern supercardioid
- Frequency range 20 Hz
Product Description
KMS 105By employing a unique triple acoustic filter, The KMS 105 minimizes popping and wind noise, and with special mechanical and electrical filters, handling noise is virtually eliminated. Because of the superior resolution and linear high frequency response, it is very easy for the artist using the KMS 105 to identify whether he or she is “on mic”.Acoustical features:When compared to other handheld vocal microphones, the KMS 105 offers a superior resolution of the voice, with extended frequency response and accurate transient detail. Sibilance problems common to other handheld condenser mics are eliminated. No foam is used in the basket, thus eliminating any “clouding” or “muffling” of the sound. Also, by using a studio grade DC-polarized condenser capsule, all the nuances of the voice come through with subtlety, power and focus.The K55 capsule was developed from the famous K50, found in the KMS 150, KM 150 and KM 185 microphones. This new version features a super-cardioid pattern, achieved by specially modifying the response of the K50 pressure gradient transducer. The frequency response characteristic is developed in the acoustic realm, allowing for accurate representation of transient details found in music and speech, and thus transmitting a very “open” and detailed capture of the human voice. Requires phantom power.
Neumann KMS105 Microphone, Black
Tags:Black, KMS105, Microphone, Neumann
Posted in Microphone Condenser | No Comments »
Friday, August 20th, 2010
- Neumann sound on stage
- Excellent transparency for vocals/speech
- Cardioid polar pattern with excellent feedback rejection
- Transformerless output
- Effective pop shielding without any side effects
Product Description
The Neumann KMS 104 Microphone provides superior voice resolution with extended frequency response and accurate transient detail. A studio condenser capsule delivers vocal nuances with focus and power. Cardioid polar pattern, low self-noise, and colorless off-axis pickup complement in-ear personal monitor systems. The KMS 104 mic has a 4-layer acoustic filter that virtually eliminates unwanted pops and handling noise. Requires phantom power…
Neumann KMS 104 Hand-Held Vocal Condenser Microphone, Nickel
Tags:Condenser, Handheld, Microphone, Neumann, Nickel, Vocal
Posted in Microphone Condenser | 1 Comment »
Tuesday, August 10th, 2010
Product Description
An Omni pattern condenser microphone. It comes in a folding box with a windshield and two stand mounts that permit connection to the microphone body, or the XLR-connector.Applications Their slender shapes and the transmission characteristics described below make the ?Series 180? especially suitable for a very wide range of tasks in the radio and television sector. The KM 183 is a pressure transducer with a boost of approximately 7 dB at 10 kHz in the free field. In the diffuse sound field it has a flat frequency response. In typical usage, there is no coloration of sound over a wide pickup angle. Although the KM 184 has the same capsule as the KM 84, the microphone differs slightly on the 0° frequency response: Owing to the newly developed DC-to-DC converter the microphones operate without any problems, even if the input of succeeding equipment happens to be unbalanced, for example as in some DAT recorders. The output of the ?Series 180?, as in all Neumann microphones, is balanced and phantom (48V) powered. The mechanical construction was simplified, for example, capsule and output stage cannot be separated from each other. For this reason the ?Series 180? is an economical alternative without giving up the electroacoustic features the users expect from Neumann microphones.
NEUMANN KM183 Black Miniature Condenser Microphone
Tags:Black, Condenser, KM183, Microphone, Miniature, Neumann
Posted in Microphone Condenser | No Comments »
Wednesday, July 21st, 2010
Product Description
The Neumann KM 184 Small Diaphram Cardioid Microphone has become the classic high-quality miniature microphone. The pressure gradient transducer used in the KM 184 features very smooth frequency response not only for the 0ø axis, but also for lateral (off-axis) sound incidence. In typical usage, there is no coloration of sound over a wide pickup angle. Although the KM 184 has the same capsule as the KM 84, the microphone differs slightly on the 0ø frequency response: The KM 184 has a gentle rise at about 9 kHz (which brings out the sizzle in cymbals), a characteristic that was introduced very successfully with the KM 140. The result is a tonal balance that is fresher and livelier when compared to the KM 84 with its flat frequency response in that band. This difference was achieved with just a slight change of the capsule’s rear opening, and is not due to resonances.With the same transformerless circuitry as is used in the KM 100 system, the KM 184 has excellent technical specifications. Compared to the KM 84 the dynamic range of the KM 184 increased by 24 dB mainly through the reduction of self-noise level to only 22 dB (CCIR) and an increased sound pressure handling capability of up to 138 dB. The KM 184 mic will operate without any problems, even if the input of following equipment happens to be unbalanced, for example as in some DAT recorders. The output is balanced and phantom (48V) powered.The KM 184 is a good economical alternative choice for users looking for a high-quality miniature microphone. You don’t have to give up the electroacoustic features you expect from a Neumann microphone!.
Neumann KM 184 Small Diaphragm Condenser Microphone
Tags:Condenser, Diaphragm, Microphone, Neumann, Small
Posted in Microphone Condenser | No Comments »
Monday, July 19th, 2010
Product Description
The Neumann M 147 Tube is a vacuum tube condenser microphone with cardioid characteristic. At the heart of this microphone is the K 47 dual diaphragm capsule, inherited from this model’s now legendary predecessors, the U 47 and the M 49. Following the capsule is a tube that functions as an impedance converter. The next stage is an efficient, transformerless output circuit, that guarantees an extremely low self-noise level. Note: This innovative combination of current tube technology with the most advanced solid-state circuitry was decisive in awarding the 1997 TEC Award to the related M 149 Tube mic. The M 147 Tube mic can feed extremely long microphone cables without affecting the quality of the audio signal. Like all Neumann tube microphones, the M 147 Tube comes with an elegant satin nickel finish. The microphone is delivered as a complete set in a high-quality aluminum case. Included with the microphone are a microphone cable, a metal swivel mount for a mic stand, and a compact universal power supply for standard mains socket-all at a very attractive price.Applications The famous capsule, together with complimenting tube characteristics, makes the M 147 Tube especially well suited as a vocal mic. In addition, it is a superb spot mic for all types of musical instruments. The extremely low self-noise of its tube circuitry makes the mic perfectly suited for use in modern recording chains, analog and digital.Acoustic features The M 147 Tube is addressed from the side. The capsule is equivalent to the one used in the U 47, and is the deciding factor in determining the mic’s sound characteristics. It has a flat frequency response to the upper midrange, and a boost of up to 3 dB above 2 kHz. The headgrille design is a smaller version of the U 47. It protects the capsule effectively against popping and wind noise.Polar pattern The Neumann M147 Tube has a cardioid characteristic, leaning more toward super-cardioid due to its distinctive capsule design. At higher
Neumann M 147 Tube Condenser Microphone
Tags:Condenser, Microphone, Neumann, Tube
Posted in Microphone Condenser | No Comments »
Saturday, July 17th, 2010
- Sound characteristics based on the legendary U 67
- Three switchable directional characteristics (omnidirectional, cardioid and figure-8)
- Switchable high-pass filter and pre-attenuation
- Transformerless circuit technology and New dual-color exterior design
Product Description
The Neumann TLM 67 is a large-diaphragm condenser microphone in the classic Neumann style. The stylish pearl-gray of the microphone body combined with the classic Neumann nickel lends the TLM 67 microphone a touch of distinctive individuality.The letters TLM stand for transformerless microphone. In the Neumann TLM 67 mic, an electronic circuit is used rather than a conventional output transformer. Like a transformer, the circuit ensures good common mode rejection, effectively suppressing interference signals that affect the balanced modulation line. The TLM 67 microphone can operate at sound pressure levels of up to 105 dB without distortion, and has a dynamic range of 94 dB (A-weighted), without the use of the pre-attenuation switch.The Neumann TLM 67 is an extremely versatile microphone. Its 3 switchable directional modes (omnidirectional, cardioid and figure-8), selectable 10 dB pre-attenuation and high-pass filter permit detailed adjustments, depending on your recording needs.In the world of studio microphones, the numbers 47, 67 and 87 have associations that inspire enthusiasm among professionals. The classic Neumann U 67 was the successor to the famed U 47, which was Sir George Martin’s favorite mic for recording the Beatles, and the U 87 has become the most used vocal mic in recording history. It is no coincidence that the name of the new Neumann TLM 67 microphone contains the number 67. In many respects, the Neumann TLM 67 mic is based on the workhorse mic of the 1960s: the legendary Neumann U 67 mic. Like the U 67, the Neumann TLM 67 incorporates Neumann’s K 67 capsule. In addition, the special new circuit design closely reproduces the sound characteristics of the classic U 67 mic, without the use of tubes. The legendary and frequently imitated design of the Neumann U 67 was the first to be developed by Neumann employees in collaboration with the famous German designer, Wilhelm Braun-Feldweg. The design of the Neumann TLM 67 microphone represents a
Neumann TLM 67 Condenser Microphone
Tags:Condenser, Microphone, Neumann
Posted in Microphone Condenser | No Comments »
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