• Neck-thru construction Multi-laminate maple and walnut neck with rosewood fingerboard 34″ scale Mahogany body with bubinga top 24 jumbo frets Offset dot position markers EMG-Hz pickiups Master volume and blend controls 3-band EQ Diamond Custom bridge Grover tuners Satin gold hardware

Product Description
Schecter Stiletto Studio-4 Electric Bass See-Thru Black Satin (STBLS)

Schecter Guitar Research Stiletto Studio-4 Bass See-Through Black Satin

• Select Mahogany Top, Back, and Sides
• Chrome Die Cast Tuners
• Rosewood Fretboard and Bridge
• Six Color Choices Available
• Satin Natural

Product Description
The HW300 is the most popular Hohner dreadnaught. Featuring a Mahogany top, back, and sides in six color choices the HW300 has the ability to set you apart from the crowd. This special wood selection offers long sustain and well-balanced tone. The die-cast tuners assure stable and accurate tuning. Also available; HW300CE acoustic/electric model.

Hohner HW300 Mahogany Dreadnaught Acoustic Guitar Satin Natural Finish

• 5 stringConstruction/Scale: Bolt-on/ 35″Body: BasswoodNeck/Fingerboard: Maple/RosewoodFrets: 24 JumboInlays: Black Pearl ‘Bats’Pickups: EMG HZElectronics: Vol/Blend/Active 2-Band EQ (w/ selectable treble frequencies)Bridge: Diamond CustomBinding: NoneTuners: SchecterHardware: Black

Product Description
The Damien 5-String Bass was built for bands that love to rock hard. The list of artists and songs on Schecter Guitars’ home page leans towards the heavier side of things. Acts like Misfits, Sean Yseult of White Zombie, Avenged Sevenfold, Papa Roach, Tommy Lee and Seether are but a sampling of Schecter’s guitar and bass users. Aesthetically, this 5-string electric bass has an arched basswood body with a lower cutaway, with a black satin finish, black hardware, a dark rosewood fingerboard with black pearl flying bat inlays. The Damien Bass is definitely not geared toward your bubblegum pop band. 24 jumbo frets, two EMG HZ series humbuckers and 4 control knobs for volume, blend, and active 2-band EQ with selectable treble frequencies give you the playability, sonics, and electronics to shred with the best of them. If you like it “none more black,” the Damien 5-string should be the bass in your hands next time you take the stage for a fist-pumping showdown.

Schecter Guitar Research Damien 5 String Bass Guitar Satin Black

• Slim Taper Neck
• Dual P-90 soap bar single coil pickups
• Limited Edition
• gigbag included
• Comes with adjustment literature, and documentation for the guitar’s Limited Lifetime Warranty, along with Gibson’s 24/7/365 Customer Service.
• It has a slim taper neck.
• The dual P-90 soap bar single coil pickups.
• It is gigbag included with limited edition.

Product Description
The 1960s Tribute electric guitar consists of a basic Gibson Les Paul chassis with all the essential elements needed to rock including a Nashville Tune-O-Matic bridge with stopbar tailpiece and Kluson-style tuners keep it all rock-solid and resonant and its gnarly P-90 tone stays true to the Les Paul style. A solid, carved maple top and chambered mahogany body give the Les Paul Studio ’60s Tribute the same tonewood combination that has been helping Les Pauls rock for nearly 60 years. Authentic vintage-style finishes present a guitar with the look of a well played original, while the instrument’s unbound body and neck keep it in line with the popular Les Paul Studio line. The headstock of the Gibson Les Paul Studio 1960s Tribute is equipped with Grover Kluson style green keys. With a gear ratio of 14:1, these tuners deliver precision tuning in a durable housing that provides maximum protection for the gear and string post. The Gibson Les Paul’s Tune-O-Matic bridge, sets a standard for simplicity and functionality that has never been bettered. The Tune-O-Matic provides a firm seating for the strings, allowing the player to adjust and fine-tune the intonation and string height in a matter of minutes. Both the neck and bridge position pickups are equipped with cream-colored screaming single-coil P-90 pickups. The P-90 was the standard pickup on all Gibson guitars in the late 1940s and into the 1950s and because of its crisp, bright tone it has experienced resurgence in popularity with many of today’s modern rockers. These classic Gibson guitar pickups deliver sizzling, slightly gritty midrange roar. You’ll find that the P-90s’ high output and biting treble has more nuanced harmonic coloring than the typical single-coil pickup.

Gibson Les Paul Studio 60s Tribute Electric Guitar, Worn Satin Ebony

• Black with Black Hardware
• Bullet Hole Venting
• 8-ply hard rock maple shell
• 2.3 mm hoops
• Brass snare wires

Product Description
The 13″x7″ Pork Pie Little Squealer Snare Drum is crafted from 8-plies of maple. This Pork Pie snare boasts a black ebony satin finish, all black hardware, cast hourglass lugs, and 2.3mm heavy-duty hoops. Bearing edges are hand sanded and precision cut. Pork Pie builds the Little Squealer snare with painstaking attention to detail.Pork Pie snare drums are coveted and played by drummers all over the world. Like fine wine, there is no questioning an authentic Pork Pie snare. Pork Pie snares are known for their true sounds. Whether recorded or live, the difference in your sound can be credited to your custom Pork Pie snare. Hearing is believing!

Pork Pie Little Squealer Snare Drum – 13″ x 7″, Black Ebony Satin

• 496R and 500T pickups
• Worn Cherry satin lacquer finish
• Slim Taper neck
• Chrome Hardware
• Includes Gig Bag

Product Description
Loaded with two humbucking pickups and constructed with a mahogany body and neck complete with all the legendary sustain and tone.Amazon.com Product Description

The Gibson Flying V: Introduced in 1958

A certain aura of mystique surrounds the Gibson Flying V. A guitar well ahead of its time when it was introduced in 1958, the Flying V’s intense magnetic appeal, powerful sound, and unusually familiar shape have made it one of the most instantly recognizable guitars in the world. Legendary Gibson President Ted McCarty was looking to add a futuristic aspect to the company’s image when he introduced the Flying V, and he nailed it. And while some of the greatest guitar players of all-time–including Lonnie Mack and Albert King–immediately embraced the Flying V, it wasn’t until Gibson reintroduced the guitar in 1967 that the rest of the world caught on. Guitar Gods like Jimi Hendrix, Johnny Winter, Billy Gibbons, Michael Schenker, and Lenny Kravitz have all succumbed to the Flying V’s fascinating allure.

Angled Headstock on the Gibson Flying V

The pointed headstock on the V-Factor X is as typical as it is unique. Like every Gibson headstock, it is carved out of the same piece of mahogany as the neck. It is not a “glued-on” headstock, and the process takes craftsmanship, time, and effort. But the rewards are worth the effort. The headstock is carefully angled at 17 degrees, which increases pressure on the strings and helps them stay in the nut slots. An increase in string pressure also means there is no loss of string vibration between the nut and the tuners, which equals better sustain. A white truss rod cover adds a nice finishing touch to the headstock, and perfectly complements the white pickguard on the V-Factor X body.

The V-Factor: The X Neck Profile on the Gibson Flying V

No guitar neck profiles are more distinguishable than the neck profiles employed on the Gibson models of today. The more traditional ’50s neck profile is the thicker, more rounded contour, emulating the neck shapes of Gibson’s iconic models of the late 1950s. The ’60s neck profile is considered the more modern, slim-tapered contour most commonly associated with the Gibson models of the early 1960s. The neck on Gibson’s V-Factor X has the best of both worlds–it is a hybrid between the ’50s rounded contour and the ’60s slim-taper profile. As with all Gibson necks, it is machined in Gibson’s rough mill using wood shapers to make the initial cuts. Once the fingerboard gets glued on, the rest–including the final sanding–is done by hand. That means there are no two necks with the exact same dimensions. So while it still has the basic characteristics of its respective profile, each neck will be slightly different, with a distinct but traditional feel.

Solid Mahogany Body
The most central of all V-Factor X features is its V-shaped, solid mahogany body. Whether it’s the regular Flying V, or the Gibson V-Factor X, the solid mahogany body provides tone, sustain, and performance. The mahogany goes through the same rigorous selection process as all of Gibson’s woods, and is personally inspected and qualified by Gibson’s team of skilled wood experts before it enters the factories. Inside the Gibson factories, humidity is maintained at 45 percent, and the temperature at 70 degrees. This insures all woods are dried to a level of “equilibrium,” where the moisture content does not change during the manufacturing process. This guarantees tight-fitting joints and no expansion, and helps control the shrinkage and warping of the woods, in addition to helping reduce the weight. It also helps with improving the woods’ machinability and finishing properties. Consistent moisture content means that a Gibson guitar will respond evenly to temperature and humidity changes long after it leaves the factory.

Electronics
When it comes to guitar electronics, less is definitely better. And that certainly holds true with Gibson’s V-Factor X. Gibson has chosen to install two volume controls and only one tone switch, which translates into less resistance between the pickup and the actual output. That means you end up with nothing but pure tone from the pickup, and one flat-out screaming rock and roll machine.

Gibson’s 496R and 500T Pickups
No event is more responsible for dramatically influencing the evolution of popular music than Gibson’s introduction of the double-coil “humbucking” pickup in 1955. From the warm jazz tones of Charlie Christian, to the world-shaking rockabilly of Scotty Moore, and the cruching rock of Jimmy Page, countless players around the world explored the limitless possibilities of the tonal spectrum through Gibson pickups and guitars. As the musical landscape changed, so did the development of the humbucker pickup. Introduced in the early 1970s, Gibson’s 496R and 500T pickups filled the need for more powerful humbuckers and energized the emergence of hard rock and heavy metal. The 496R produces incredible sustain and cutting power with its ceramic magnet, adding more highs with increased definition and no muddiness at all. The 500T is one of Gibson’s most powerful pickups, containing a three ceramic magnet structure, which enables a no-holds-barred rock and roll crunch that never loses its rich combination of enhanced lows and crystal clear highs. This is one of Gibson’s most potent pickup combinations.

The Gibson Logo
The most innovative and revolutionary stringed instruments of all time have bared the name Gibson–the Les Paul, the ES-335, the Explorer, the Flying V, the SG, the Firebird. The list goes on and on. There is no mistaking the classic Gibson logo, pressed into the V-Factor X’s truss rod cover using a gold stamp. It is the most recognizable logo in all of music, representing more than a century of originality and excellence. There is simply no equal.

The History of Gibson’s Flying V Electric Guitar
The sleek, space age lines and bold tones of Gibson Flying Vs have seduced generations of players, putting the “Wham” in Lonnie Mack’s licks and making Albert King’s big-bellied southpaw bends hang in the air like smoking Crisco at a Saturday night fish fry.

Though its origins may lie in the blues, the Flying V found a home in rock and roll, too. A fleet of three Vs gassed Jimi Hendrix’s jams ’til he kissed the sky. The guitar humbucked up T. Rex’s roar and gave the Scorpions enough wind to “Rock You Like a Hurricane.” Metallica’s monolithic wall of sound has a vein of V at its igneous core, and Zakk Wylde has blasted his signature model on-stage and in the studio with Ozzy.

It’s been a half-century of evolution and innovation since the original Flying Vs landed in the hands of musicians. We may still be waiting for our jet packs, but the Flying V took off long ago.

Gibson Flying V Electric Guitar, Worn Cherry Satin

• EMG 35J/40J Soapbar Active Humbuckers
• 34″ Scale
• Alder Body/Maple Neck
• Neck-Thru
• 24 Fret fingerboard

Product Description
Bone crushing, earth shaking power and guttural bass growl. What else could a Tremor produce? It’s trademark design, state of the art components and powerful warm tone it has become the choice for a new generation of low-end pioneers. A trademark Fernandes body shape, the Tremor Deluxe features neck-thru construction, a 24-fret Rosewood fingerboard, Graph Tech nut, Wilkinson bridge, dual EMG 35J/40J soapbar active humbuckers with an FGI active preamp system and Gotoh tuners. The Tremor puts out the low end that bass players insist on! Available in 4 or 5-string versions and new Satin finishes, Metallic Black Satin, Gun Metal Blue Satin and Wine Red Satin.

Fernandes Tremor 5 Deluxe 5 String Electric Bass – Wine Red Satin

• EMG 35J/40J Soapbar Active Humbuckers
• 34″ Scale
• Alder Body/Maple Neck
• Neck-Thru
• 24 Fret fingerboard

Product Description
Bone crushing, earth shaking power and guttural bass growl. What else could a Tremor produce? It’s trademark design, state of the art components and powerful warm tone it has become the choice for a new generation of low-end pioneers. A trademark Fernandes body shape, the Tremor Deluxe features neck-thru construction, a 24-fret Rosewood fingerboard, Graph Tech nut, Wilkinson bridge, dual EMG 35J/40J soapbar active humbuckers with an FGI active preamp system and Gotoh tuners. The Tremor puts out the low end that bass players insist on! Available in 4 or 5-string versions and new Satin finishes, Metallic Black Satin, Gun Metal Blue Satin and Wine Red Satin.

Fernandes Tremor 4 Deluxe Electric Bass – Wine Red Satin

• 88-key multi-sampled piano sound with piano resonance
• Piano Designer adjusts aspects of the piano sound to your preference
• PHA II Ivory Feel keyboard with Escapement and Natural Key Sides offers enhanced dynamic range of touch response
• Escapement and Ivory Feel reproduces the look and feel of acoustic-piano keys
• Key Touch adjustable to 100 levels

Product Description
The flagship Roland HP-207 features an ultra-realistic 88-key multi-sampled piano sound under the control of Roland’s new PHA II Ivory Feel keyboard with Escapement. A powerful speaker system, front legs and elegant cabinet combine for the look and sound of an acoustic piano. Newly designed cabinet with front legs for a stable and stylish piano look Continuous pedal for wider expression Twin Piano Mode for education applications SMF and WAV file playback via USB Host port Optional USB CD drive allows for audio CD playback, audio transpose and center cancel (not included) Max. Polyphony 128 voices 337 tones Temperament 8 types, selectable tonic Stretched Tuning Off/Preset/User tuning (adjustable in individual notes – -50.0- +50.0 cent) Master Tuning 415.3–466.2 Hz (adjustable in increments of 0.1 Hz) Transpose – -6–+5 (in semitones) Effects (4 Levels), Damper Resonance (Off/1-10) Note Storage Approx. 30,000 notes Control Song Select, Play/Stop, Rec Tempo Quarter note = 10 to 500 Resolution 120 ticks per quarter note Metronome Beat – 2/2, 0/4, 2/4, 3/4, 4/4, 5/4, 6/4, 7/4, 3/8, 6/8, 9/8, 12/8, Volume – 0-10 levels Internal Songs 70 songs Rated Power Output 60 W x 2 Speakers 16 cm x 2 Pedal Damper (half-pedal recognition), Soft (half-pedal recognition, function assignable), Sostenuto Other Function AC inlet, Pedal connector, Input jacks (Front – L/Mono, R Rear – L/Mono, R), Output jacks (L/Mono, R), USB (MIDI) connector, MIDI connectors (IN, OUT), Phones jack (Stereo) x 2, Ext Memory port Accessories – Bench, Owner’s Manual, Power Cord, Roland 60 Classical Piano Masterpieces, Headphones Hook Unit Dimensions – 54-11/16 W x 20-7/8 D x 42-3/8 H; Weight – 172 lbs.

Roland HP-207-SB Digital Piano – Satin Black

• EMG 35J/40J Soapbar Active Humbuckers
• 34″ Scale
• Alder Body/Maple Neck
• Neck-Thru
• 24 Fret fingerboard

Product Description
Bone crushing, earth shaking power and guttural bass growl. What else could a Tremor produce? It’s trademark design, state of the art components and powerful warm tone it has become the choice for a new generation of low-end pioneers. A trademark Fernandes body shape, the Tremor Deluxe features neck-thru construction, a 24-fret Rosewood fingerboard, Graph Tech nut, Wilkinson bridge, dual EMG 35J/40J soapbar active humbuckers with an FGI active preamp system and Gotoh tuners. The Tremor puts out the low end that bass players insist on! Available in 4 or 5-string versions and new Satin finishes, Metallic Black Satin, Gun Metal Blue Satin and Wine Red Satin.

Fernandes Tremor 5 Deluxe 5 String Electric Bass – Gunmetal Blue Satin