• Professional performance for studio recording
• Includes AT8405A stand clamp, AT8159 windscreen and carrying pouch
• Cardioid polar pattern reduces pickup from sides and rear

Product Description
The PRO37 has established itself as a versatile solution for studio recording and live performace. With a low mass element for superb transient response and a low-profile design, this mic excels in high SPL apllications.

Small Diaphragm Condenser Mic

• Karaoke Stand for Small TV and Speakers

Product Description
Karaoke Stand for Small TV and Speakers
(TV, Speakers, Microphones Not Included)

13″ TV would be too top heavy and not safe.

Karaoke Stand for Small TV and Speakers

• Made by Audio Technica
• Model Number: AT8139S

Product Description
Replacement small foam windscreen for Audio-Technica ATM75 headworn mic (M19 style).

Audio-Technica AT8139S Small Foam Windscreen, for ATM75

• Low-Noise Class-A Tube Design
• Polar Pattern: Cardioid
• Tube condenser microphone
• Perfect for recording both critical vocals and solo instruments
• Delivers warmth and clarity

Product Description
The Apex 471 tube condenser microphone is perfect for recording both critical vocals and solo instruments. Its integrated vacuum tube preamp circuit delivers warmth and clarity with an incredible amount of gain not available in a solid-state microphone design, making the it an ideal solution for digital audio workstations or any direct to drive recording system.

The Apex471 comes standard with a cardioid condenser microphone capsule. The cardioid polar pattern is ideal for single instrument or solo vocal use and will yield the best results in most applications. It offers full frequency response on the front of the microphone and the advantage of proximity effect (increased low frequency response when microphone is placed close to sound source) and excellent noise rejection from the sides and back, or 180-degree position of the microphone.

Optional user changeable omnidirectional and hypercardioid capsules are available.

In all recording applications, it is advised to always use a windsock over the microphone or use a pop filter like the Apex MWS-56dlx when recording vocals for best results. A high quality pop filter will improve the overall performance of the microphone without a negative impact on the overall frequency response and tone of the microphone.

You may find better results if you don’t sing directly into the microphone, but change your ‘angle of incidence’ so you are singing slightly off axis or over the top of the capsule. This will lessen the excessive breath noise and sibilance in some cases, and give you a more balanced and natural recorded sound.

Always use the supplied shock mount with the Apex471 for best results. Although the microphone is not exceptionally fragile, it is very sensitive and can pick up even minute vibrations through the microphone stand and floor.

APEX 471 Small Barrel Tube Microphone

• MK5a 0.5-inch Cardioid Capsule with 5-micron Mylar, Evaporated Gold Diaphragm
• AMI T5 Transformer
• Hand-selected Transistors
• Individual serialized Frequency Response Graph
• Available as a stereo matched pair with wood Presentation Case with Mic Clips, Shock-mounts, Windscreens, Stereo Bar Set, in a rugged aluminum carrying case

Product Description
The Miktek C5 pencil condenser provides discerning engineers with a valuable new tool for the critical recording of acoustic instruments. The C5, fitted with our MK5a, 0.5-inch cardioid capsule, produces a super-linear, full-bodied response. The capsule employs a 5-micron tensioned Mylar diaphragm, on which a 0.5-micron layer of evaporated gold is applied. Tight tolerances and special attention to precise machining of the backplate, and acoustical porting, produces an off-axis response that ensures the accuracy of the microphone.
The C5’s head amplifier has been designed around the AMI T5 transformer and, together with the implementation of high quality components including hand-selected transistors, offers a sweet response reminiscent of the iconic classic mics of the past. The Miktek C5 is perfect for recording acoustic instruments including violin, acoustic guitar, mandolin, dobro, brass, woodwind, and piano. The C5 produces excellent results on drums as overheads or hi-hat mics.
The Miktek C5 is hand built using components from the US, Europe and Asia, and is tested and packaged in Nashville, Tennessee, USA. Each microphone includes its serialized frequency response graph created during final testing.
The C5 is available as a single instrument packaged with a mic clip and wooden presentation box, or as a matched pair packaged with two clips in a wooden box and set inside an aluminum case. Matched-pair accessories include two shock mounts, windscreens and a stereo bar.

C5MP – Small Diaphragm Pencil Condenser Matched Pair

• Applications: Choir, Orchestra, Acoustic Instrument, Guitar Cabinets, Strings, Piano, Cymbals/Overheads, Hi-Hats.

Product Description
The CAD e70 Modular Dual-Capsule Condenser Microphone has an omnidirectional capsule for flat near-field and ambience pick up, and a cardioid capsule for proximity boost and off-axis rejection. The complement of the CAD e60 and the second of virtuoso Al Dimeola’s 2 favorite mics for acoustic guitar, you can use the CAD e70 mic to capture your instrumentation with exacting detail. As well as being an ideal acoustic guitar mic, the e70 is excellent for capturing other stringed instruments and as an overhead cymbal mic. Features include field-effect detection, transformerless drive, a dual-frequency hi-pass filter and 2-position attenuator. CAD includes an elastic shock mount, stand clamp, and a windscreen with the e70 modular microphone. 48V phantom power required.

CAD e70 Small Diaphragm Variable Condenser Mic

• Mid-size, all-brass capsule
• Robust construction with rubber-isolated capsule
• Stainless steel head and grille assembly
• Rugged vinyl zipper case
• ST-HM1 swiveling hard mount

Product Description
The ST31 FET small-diaphragm condenser microphone features a mid-size (3/4″) capsule that’s perfect for miking acoustic instruments, amplifiers, drum overheads, and more. Its thin, 6-micron evaporated gold Mylar diaphragm is optimized to capture the most definition and detail from all acoustic instruments like piano, drums, and guitars. Warm FET circuitry gives it low noise and high-quality sonics. Requires phantom power.

Sterling Audio ST31 Small Diaphragm FET Condenser Mic

• The CAD CM217 is a small diaphragm condenser microphone that was designed for acoustic guitars
• Stringed instruments, cymbals, hi-hats, and more.
• Features include hi-pass filter and attenuator. Mic clip included.

Product Description
The CAD CM217 is a small diaphragm condenser microphone that was designed for acoustic guitars, stringed instruments, cymbals, hi-hats, and more. Features include hi-pass filter and attenuator. Mic clip included.

CAD CM217 Small Diaphragm Condenser Mic

• 3-Pattern FET Microphone w/ 3 interchangeable 19mm gold sputtered thin Mylar capsules
• Manufactured using the finest materials yielding a very solid feel, superb structural integrity and rugged reliability
• THE Very Best value on the market for a high quality / great sounding FET instrumental mic
• 3 Interchangeable 19mm Capsules (Cardioid, Omni, Hyper-Cardioid), SSM Metal Shockmount, padded genuine wood Mic box and 5-Year Warranty

Product Description
The CK-1 will meet or surpass the performance and specs of MUCH higher priced mics. It is truly a gorgeous looking and sounding microphone. The design, character and performance can be compared directly to fine studio-standard FET mics? but at a fraction of their cost! The rugged CK-1 microphone body and capsule assembly are precision machined of BRASS. Aesthetically the compact body features an elegant Metallic Cabernet Wine-Red finish, accented with polished nickel trim and capsule assembly. Any studio can proudly offer the CK-1 for instrumental and percussion miking? It exudes class visually as well as sonically. The CK-1 is equally at home on the stage for drum overheads, acoustic instruments and piano. The CK-1 INCLUDES (3) 19mm interchangeable capsules to provide unlimited miking possibilities! Manufactured using the finest materials yielding a very solid feel, superb structural integrity and rugged reliability. The included METAL SSM Shockmount is superb in allowing a precise positioning of the mic while inhibiting the transfer of unwanted vibrations up into the mic. This isolation allows for superior professional results. Separate -10 dB pad & 80 Hz LF roll off switches. The -10dB attenuation switch can be engaged when miking very high SPL sources to keep from overloading the electronics. The 80Hz HIGH-PASS filter switch can be engaged to reduce rumble and to keep unwanted low frequencies from “muddying up” the track. — Includes: CK-1 FET Microphone, AVANTONE SSM Shockmount, padded wood Mic box, 3 Capsules (19mm Cardioid, Omni, and Hyper-Cardioid) — Type: True Condenser / Polar Pattern/s: Cardioid / Hyper-Cardioid & Omni Capsules / Frequency Response: 25-20,000 Hz / Output Impedance: <=200 Ohms / Maximum SPL: 138dB / S/N Ratio 78dB / Noise Floor: < 17 dBA / Output Connector: Male XLR 3 pin / High-Pass Switch: 80 Hz 6dB/octave / Attenuation Switch: -10 dB / --- Power Requirement: Standard 48 Volt Phantom.

Avantone CK-1 Small Diaphragm FET Condenser w/ Pad, Filter & Omni, Cardioid & Hypercardioid Capsules

• Teflon stem
• Fits standard 5/8″ stands/mounts
• Cable management clip
• Includes Heil C-clamp

Product Description
The small Heil SB-2 mcirphone boom is perfect for interview microphone positions or small spaces where the PL-2T overhead boom doesn’t fit. The boom’s Teflon stem makes for easy threading onto any standard stand or mount. A cable management clip is molded to the side of the boom to keep the cable out of your way. Heil C-clamp with brass insert included.

Heil Sound SB-2 Small Microphone Boom