Posts Tagged ‘Solid’

Kona Solid SpruceTop, Acoustic/Electric Bass Guitar, with Hard Shell Case

Sunday, July 31st, 2011

Product Description
Kona Signature Series
Bass Acoustic Electric Guitar
Includes Tolex Hard Shell Case
Solid Spruce Top
2 Piece Book-Matched Back
Adjustable Truss Rod
Mahogany Back & Sides
6-Ply Binding on Body
Neck Binding
Rosewood Bridge
Rosewood Fretboard
Chrome Die-Cast Tuners
4 Band Active EQ
1/4″ Jack
24 Nickel Silver Frets
(2) Optional Pickguards Included
Polishing Cloth Included
Natural Gloss Finish
Overall Length: 48 1/2″
Scale length: 34 1/2″
Width at Nut: 1 5/8″
Width at 12 Fret: 2 3/16″
Lower Bout: 16 1/4″
Upper Bout: 12″
Body Depth: 5″

Kona Solid SpruceTop, Acoustic/Electric Bass Guitar, with Hard Shell Case

Ibanez Troubador T35 35 Watt Solid State Acoustic Electric Guitar Combo Amplifier

Thursday, July 7th, 2011
  • 35 Watt Dedicated Acoustic Guitar Amplifier
  • 10″ Custom-Made Coaxial Speaker
  • 3-Band EQ With Sweepable Midrange x 2
  • Small size, Light weight
  • Switchable Chorus With Speed And Depth Control

Product Description
What’s the one thing that almost all small venue musicians strive for when it comes to amplifiers? Some might say “pure immersive tone”, which would undoubtedly be followed by “portability”. The Ibanez T-Series Acoustic Guitar Amplifiers deliver exactly that, along with the striking appearance of a hand-crafted boutique amplifier. Whether you’re strumming away at the local coffee shop or playing weekly gigs at a religious venue, the sounds of the T-Series will fill the room. Plus, you won’t have to break your back getting your amp in and out. The Ibanez T-Series was designed with portability in mind. Troubadour amps allow you to confidently chart new musical paths and acoustic journeys through any terrain. The highly-portable T35 35-watt acoustic-electric amplifier features hi-fidelity components, versatile EQ, and an extended-range 10″ Power Jam speaker that can convey your acoustic sound at any volume. Includes inputs and channels for both guitar and microphone. An internal limiter, switchable chorus with speed and depth control, reverb with level control and a line out give you the tools to easily shape any tone you need. The tilt bar is pretty handy, too.

Ibanez Troubador T35 35 Watt Solid State Acoustic Electric Guitar Combo Amplifier

Fender® FrontmanTM 15R Solid State 15-watt Amplifier with Reverb

Friday, July 1st, 2011
  • Type: Solid State
  • Output: 15 watts into 8 ohms
  • Ohms: 8 ohms
  • Speakers: 1-8 in. Fender® Special Design Speaker
  • Covering: Black Textured Vinyl with Black Metal Grille

Product Description
The successful Frontman Amp® Series just got a facelift. The Frontman continues to have all the tone and reliability the Frontman series has been known for, with new additions. Fender’s Blackface cosmetic treatment (skirted knobs, silver grille cloth) makes these amps look as good as they sound! Each amp includes a headphone jack and an auxiliary input allowing the user to play along with a CD, tape player, or drum machine. This 15-watt amp has an 8 in. Fender® Special Design speaker, 2 selectable channels (Normal and Drive), reverb, 3-band EQ, and an external speaker jack.

Fender® FrontmanTM 15R Solid State 15-watt Amplifier with Reverb

AXL Solid State Keyboard Amplifier, 100 Watt

Saturday, June 25th, 2011
  • 100 Watts RMS
  • 1 x 12″ Alphatone Speaker
  • Hi-Frequency Tweeter
  • 3 Band EQ
  • 4 Inputs with Volume Controls
  • 100 Watts RMS, 3 Band EQ

Product Description
The KB-120 Keyboard Amp has 100 watts RMS power, a 12” Alphatone speaker and four inputs with independent volume controls. The inputs include 1/4”, XLR and RCA jacks. Sonically, the amplifier has excellent bass and punch whenever needed, and nice transparent sound with little or no coloring. This amp gives you the ability to hear what you’re playing and enhances the keyboard sound the PA might miss. This amplifier is easy to set up and has a vintage style cabinet with a classy maroon finish that takes players back to another time. Created by respected product designers with a great understanding for vintage style cabinets, this amp is the perfect combination of power and value.

AXL Solid State Keyboard Amplifier, 100 Watt

Taylor Guitars 210, Dreadnought, Solid Sitka Spruce Top, Rosewood Back/Sides

Tuesday, May 31st, 2011
  • Solid Sitka Spruce Top
  • Rosewood Back/Sides
  • Deadnought
  • Hardshell Bag Included

Product Description

Learn  About the Taylor Guitars 210 Model

With a satin solid spruce top and Indian rosewood laminate back and sides, the affordably priced 210 is an impressive introduction to the dreadnought Taylor playing experience.

Dreadnought Guitars: A Taylor Tradition the Taylor 210 Continues

Bob Taylor launched his career crafting Dreadnoughts and Jumbos, working with shapes he inherited from Sam Radding, the owner of the American Dream guitar shop, where he and Taylor co-founder Kurt Listug got their start. “Our dreadnought early on was pretty boxy, and the Jumbo was kind of a big square thing, too–kind of the American Dream take on the J200 or the big Guild stuff, back in the ’70s,” Bob recalls.

In 2003, the dreadnought underwent a major revoicing to give it a more competitive identity among flatpickers. A cannon, it boasted 50 percent more volume and a stronger bass response, and yielded a potent growl when players dug in without upsetting Taylor’s sonic balance.

The Taylor Dreadnought delivers a vintage dreadnought sound for the 21st Century.

More About the 200 Series of Taylor Guitars

Meet the all-new 200 Series: Premium guitars that will change your expectations about what a serious entry-level instrument can embody. Featuring solid Sitka spruce tops and Indian rosewood back and sides, this series delivers the quality sound and feel you’d expect from a Taylor guitar.

About Taylor Guitars

Founded in 1974, Taylor Guitars has evolved into one of the world’s leading manufacturers of premium acoustic and electric guitars. Renowned for blending an innovative use of modern technology with a master craftsman’s attention to detail, Taylor guitars are widely considered the best sounding and easiest to play in the world. Many of today’s leading musicians make Taylor their guitar of choice, including Dave Matthews, Prince, Mick Jagger and Taylor Swift.Amazon.com Product Description
With a satin solid spruce top and Indian rosewood laminate back and sides, the affordably priced 210 is an impressive introduction to the Taylor playing experience.

210 Specs

  • Type/Shape: 6-String Dreadnought
  • Back & Sides: Indian Rosewood Laminate
  • Top: Sitka Spruce
  • Soundhole Rosette: Plastic
  • Neck: Sapele
  • Fretboard: Ebony
  • Fretboard Inlay: Pearloid Dots
  • Headstock Overlay: Indian Rosewood
  • Binding: White
  • Bridge: Ebony
  • Nut & Saddle: Tusq
  • Tuning Machines: Enclosed, Die-Cast Chrome Plated
  • Scale Length: 25 1/2 Inches
  • Truss Rod: Adjustable
  • Neck Width at Nut: 1 11/16 Inches
  • Number of Frets: 20
  • Fretboard Radius: 15 Inches
  • Bracing: X-Brace
  • Finish: Satin
  • Color: Natural
  • Body Width: 16 Inches
  • Body Depth: 4 5/8 Inches
  • Body Length: 20 Inches
  • Overall Length: 41 Inches

Indian Rosewood Laminate back/sides.

Classic pearloid dot inlays.

The Taylor 200 Series
The 200 Series redefines what a mid-priced guitar can be. A satin, solid Sitka spruce top meets gorgeous Indian rosewood laminate back and sides, delivering an experience of sight, sound and touch that’s unmistakably Taylor. Plug in with the optional Taylor electronics and take your performance to the stage with confidence.

Sitka Spruce Top
Sitka Spruce (Picea sitchensis) grows in a coastal “pocket” from Northern California to Alaska. This dense, straight-grained wood has the highest strength and elasticity-to-weight ratio among available tonewoods, an attribute that makes it an ideal material not only for our soundboards, but for our internal bracing, as well. Sitka produces a slightly brighter tone than does Engelmann.

Indian Rosewood Laminate Back/Sides
Indian Rosewood (Dalbergia latifolia) is coveted by players and guitar builders alike for its dark, luxurious coloration, which ranges from brown to purple to rose to black, and for tonal characteristics that include a strong bass response and long sustain. It remains the most popular tonewood used in the making of high-quality acoustic guitars.

Dreadnought Body Shape
The original Dreadnought acoustic guitar appeared early in the 20th Century, and its no-frills, no-nonsense shape made it a logical namesake of the huge battleships of that day. Most subsequent Dreadnoughts, including Taylor’s, have been derivative of that early design. In 1997, however, Bob Taylor re-designed the Taylor Dreadnought by softening the curves at the top and bottom and generally refining its overall shape. In 2003, gloss-finish Dreadnoughts also underwent bracing refinements that substantially increased their overall volume and bass response, without sacrificing Taylor’s signature balance and clarity. Dreadnought six-strings shine as “plectrum” or “rhythm” guitars because they respond well to flatpicking or light-to-heavy strumming.

Chrome-Plate Tuners
Taylor Tuners continue the industry-leading 18:1 gear ratio that they’ve been using, yet yield even greater precision with the help of a manufacturing process that employs the same gear-cutting machines used by Swiss watchmakers. The more precisely-machined gears virtually eliminate the slight “slop”, or slack, typical among tuners, which makes it even easier for Taylor owners to get–and stay–in tune. Taylor Tuners also feature an elegant aesthetic touch, with the Taylor logo cleanly etched on the back.

Taylor Guitars 210, Dreadnought, Solid Sitka Spruce Top, Rosewood Back/Sides

Godin Freeway Solid Body Electric Bass Guitar

Saturday, April 30th, 2011
  • North American made
  • Double-Action Truss Rod
  • Canadian Hard Rock Maple Neck
  • great feel and very well balanced

Product Description
Solid Body Electric Bass

Godin Freeway Solid Body Electric Bass Guitar

Bedell TOH40705 Solid Mahogany Cooperstand

Saturday, April 30th, 2011
  • Open & closes with one hand
  • Accomodates acoustic or electric guitar bass, banjo or mandolins
  • Fits inside most guitar cases or the pocket of a gig bag
  • Light weight

Product Description
Bedell Cooperstand Guitar stand. Convenient, open and closes with one hand. Accommodates acoustic or electric guitar bass, banjo or mandolins. Fits inside most guitar cases or the pocket of a gig bag. Compact, stable with wide 4-footed base, low center of gravity. Closed cell neoprene padding protects your instrument and holds it in place. Light weight.

Bedell TOH40705 Solid Mahogany Cooperstand

Legacy Solid Body Electric Guitar, Black

Sunday, April 10th, 2011
  • Double Cutaway Solid Body Electric Guitar
  • Alder Body, Rosewwod Neck, 21 Frets, Stunning Lacquer finish
  • Compare to the “Big Names” at 3x the price

Product Description
The Instrument Store is proud to introduce its very own line of electric guitars with the Legacy Double Cutaway Solid Body Electric Guitar. With its lightweight and comfortable contoured solid alder body, and fast maple neck with rosewood fingerboard; The Legacy guitar is great to play and greta sounding. The single coil pickups with 5-Way pickup selector and tone knobs can give you a wide array of any tones you desire. The die-cast tuning machines, coupled with the chrome plated 6 screw tremolo provide fantastic tuning stablilty for a guitar in this price range. This Legacy Guitar comes in a selection of beautiful finish options including: Sunburst, Red Burst, Black, White, and Transparent Blue (check our Amazon Store for other color choices).

Legacy Solid Body Electric Guitar, Black

Taylor Guitars 114e, Grand Auditorium, Solid Sitka Spruce Top, Sapele Back/Sides, ES-T

Monday, January 17th, 2011
  • Solid Sitka Spruce Top
  • Sapele Back/Sides
  • Grand Auditorium
  • Gig Bag Included
  • ES-T Electronics

Product Description

Great Value with the The Taylor Grand Auditorium 114e

Tone and playability are hallmarks of Taylor guitars, and you’ll find the 100 Series® delivers plenty of each. Sporting a solid Sitka spruce top and sapele laminate back and sides, the redesigned 100 Series now features both Dreadnought and Grand Auditorium shapes, along with cutaway and Taylor electronics options. Value, yes. Compromise, no. A cutaway and ES-T pickup blend style, substance and value that enhance Taylor’s signature Grand Auditorium body shape.

More About 100 Series Taylor Guitars

Taylor Guitar’s laminate 100 Series guitars are the real deal, crafted to deliver the complete Taylor experience, and, with laminate back and sides, are extra resilient. This series offers optional cutaways and stage-ready electronics in the form of our great-sounding ES-T
transducer pickup. You can feel good in knowing that when you buy a Taylor at any level, you get precision craftsmanship, and great tone.

Take It To The Next Level with Taylor Guitars 114e Grand Auditorium

For some young adults, getting a driver’s license is a rite of
passage. For others, getting their first Taylor is. The 100 series of guitars is perfect for young players who are ready to take things
to the next level. With the easiest playability and best intonation
in the industry, family porch jams never sounded so good.

About Taylor Guitars

Founded in 1974, Taylor Guitars has evolved into one of the world’s leading manufacturers of premium acoustic and electric guitars. Renowned for blending an innovative use of modern technology with a master craftsman’s attention to detail, Taylor guitars are widely considered the best sounding and easiest to play in the world. Many of today’s leading musicians make Taylor their guitar of choice, including Dave Matthews, Prince, Mick Jagger and Taylor Swift.Amazon.com Product Description
Taylor’s popular Grand Auditorium shape joins the 100 Series, embodying the signature Taylor look, tone and feel–in an affordable package. The 114e adds a Taylor ES-T pickup to the mix, so you can plug right in when you need a little extra.

114e Specs

  • Type/Shape: 6-String Grand Auditorium
  • Back & Sides: Sapele Laminate
  • Top: Sitka Spruce
  • Soundhole Rosette: Plastic
  • Neck: Sapele
  • Fretboard: Ebony
  • Fretboard Inlay: Large Pearl Dots
  • Headstock Overlay: Indian Rosewood
  • Binding: Black
  • Bridge: Ebony
  • Nut & Saddle: Tusq
  • Tuning Machines: Enclosed, Die-Cast Chrome Plated
  • Scale Length: 25 1/2 Inches
  • Truss Rod: Adjustable
  • Neck Width at Nut: 1 11/16 Inches
  • Number of Frets: 20
  • Fretboard Radius: 15 Inches
  • Bracing: X-Brace
  • Finish: Varnish
  • Color: Natural
  • Electronics: Taylor ES-T
  • Body Width: 16 Inches
  • Body Depth: 4 5/8 Inches
  • Body Length: 20 Inches
  • Overall Length: 41 Inches

Loud and robust Sapele Laminate back/sides.

Classic pearloid dot inlays.

ES-T pickup onboard.

The Taylor 100 Series
Tone and playability are hallmarks of Taylor guitars, and you’ll find the 100 Series delivers plenty of each. Sporting a solid Sitka spruce top and sapele laminate back and sides, the redesigned 100 Series now features both Dreadnought and Grand Auditorium shapes, along with cutaway and Taylor electronics options. Value, yes. Compromise, no.

Sitka Spruce Top
Sitka Spruce (Picea sitchensis) grows in a coastal “pocket” from Northern California to Alaska. This dense, straight-grained wood has the highest strength and elasticity-to-weight ratio among available tonewoods, an attribute that makes it an ideal material not only for our soundboards, but for our internal bracing, as well. Sitka produces a slightly brighter tone than does Engelmann.

Sapele Laminate Back/Sides
This exceptional, mahogany-like wood grows throughout the tropical rain forests of Nigeria and the Ivory Coast of Africa. Ever since we introduced it in 1998, its legion of fans has grown exponentially. As a tonewood, it’s denser and harder than mahogany, so it has a crisper, clearer, brighter, “pop”-ier sound than its more familiar counterpart. Loud and robust, with a lovely ribboned grain, sapele has been used by Spanish guitar makers for many years.

Varnish Finish
A durable varnish finish offers protection, good looks, and a smooth feel to the touch. The spruce top’s beauty shines right through.

Grand Auditorium Body Shape
The Grand Auditorium was the first guitar shape designed from scratch by Bob Taylor. It was unveiled to commemorate the company’s 20th Anniversary in 1994, and since then it has more than lived up to its promise. Although the GA has the width and depth of a Dreadnought, its narrower waist gives it the appearance of a smaller instrument, adds treble “zing” across the guitar’s tonal spectrum, sharpens the definition of individual notes, and also enables it to rest comfortably in the lap. Because we remove mass from the width of the GA’s braces, the guitar top moves faster, resulting in a snappy, bell-like tone. The GA, available as a 6- or 12-sting, is designed to be a strong fingerpicking guitar that also can handle medium strumming, and is exceptionally versatile.

ES-T Pickup
Inspired by Taylor’s Expression System technology, the Expression System Transducer, or ES-T, is a single-source, under-saddle transducer with individual elements for each string. (The ES-T was originally called the ES Element, but the name was changed to avoid confusion with another product.) The ES-T has an onboard preamp and the same active controls found on the full Expression System. Featuring a custom-voiced EQ and dynamic response, the system is powered by a 9-volt battery, with a battery life LED power indicator (which is lit when the battery is being used). The pickup also has a Phase switch for feedback control, which is located on the preamp board inside the soundhole.

Chrome-Plate Tuners
Taylor Tuners continue the industry-leading 18:1 gear ratio that they’ve been using, yet yield even greater precision with the help of a manufacturing process that employs the same gear-cutting machines used by Swiss watchmakers. The more precisely-machined gears virtually eliminate the slight “slop”, or slack, typical among tuners, which makes it even easier for Taylor owners to get–and stay–in tune. Taylor Tuners also feature an elegant aesthetic touch, with the Taylor logo cleanly etched on the back.

Taylor Guitars 114e, Grand Auditorium, Solid Sitka Spruce Top, Sapele Back/Sides, ES-T

Akg Solid Tube

Saturday, January 8th, 2011
  • POLAR PATTERN Cardioid
  • PREATTENUATION 0/-20dB switchable
  • BASSCUT FILTER 12dB/octave roll-off at 100Hz

Product Description
Through a painstaking development process, we have combined the benefits of tube and solid state technologies – the much sought after warm sound provided by tube microphones with the reliability of state-of-the-art circuitry.AKG Solid Tube features the ECC 83 (12AX7) vacuum tube for that warm, full “tube sound” everyone seems to love.

Akg Solid Tube

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