Zoom H4n Handy Portable Digital Recorder
- Built-in X/Y stereo mics record at either 90° or 120°
- Four channel simultaneous recording using built-in and external mics
- Digitally controlled, high-quality mic preamp for improved audio quality
- Large 1.9-Inch LCD screen and improved user interface for easy operation
- 24bit/96kHz Linear PCM recording for pristine recording
Product Description
Zoom H4n is the most sophisticated portable handheld recorder with new features and improved user experience at every level. Among its many new features, Zoom’s H4n offers superior, built-in X/Y stereo condenser mics that allow variable recording patterns at either 90° or 120°. Higher quality audio capture through its new, digitally controlled, high-quality mic preamp, the ability to use internal and external mics simultaneously for 4 channel recording, a large LCD screen,more intuitive interface and onboard reference speaker will take the user’s recording experience to the next level. The H4n’s onboard X/Y stereo condenser mics are arranged with the right and left mics on the same axis. This design ensures that the mics are always equidistant from the sound source for perfect localization with no phase shifting. Frequency response remains uniform throughout your recording. The result is great stereo recording with natural depth and accurate imaging every time. The mics also adjust for variable recording patterns at either 90° or 120°. Our unique design lets you rotate each mic capsule from 90° (standard) to 120° (wide-angle) stereo for the ultimate versatility in any recording situation. Everyone knows that proper miking is essential to making a great recording. The H4n is the only handheld recorder that allows you to record on four channels simultaneously by using its onboard mics with either external mics or direct inputs. You can then use its built-in mixer to blend the channels for perfectly balanced recordings. Now your recordings can be richer than ever before. Or, to get a great recording of a live performance, use the H4n’s onboard mics to get a room mix while simultaneously recording a stereo mix from the mixing board for a live recording that is easily one of the best you’ve ever heard.
Zoom H4n Handy Portable Digital Recorder
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April 27th, 2010 at 5:01 pm
Just like the customer above me, I have a fairly early model (serial 2211). I don’t imagine them having any revisions or anything, because this unit is really solid. Let me start by saying that this device should not be considered a Mic in its own right. Sure, it has two condenser microphones stuck on top to record in stereo, but I wouldn’t use these mics in any studio unless I had nothing better. This unit is for those people who want to record in the field, and be able to capture 4 tracks of audio in a handheld device.
First, the build quality. Obviously Zoom took a lot of criticism to heart from their first H2 and H4 models. The H4n sports a “rubberized” hardshell design that’s easy to grip, and seems to stand up well to surface scratches. (Mind you, the rubber texture can attract greasy fingerprints which can get annoying if you’re a gadget freak like me). The top of the unit where the mics are is metal. There is some plastic on the unit, but definitely better designed than the previous two recorders from zoom. The buttons are easy to press, and the screen is large, allowing you to see everything you need to very easily.
The poster above me wondered why there was no metal cage protecting the microphones (like the previous H4 had). The answer to this is the switchable pattern on the microphones. Each mic can be twisted and swiveled to change the directionality that the mic pics up. In its native position the mics pic up at a 90 degree angle, giving a pretty good stereo image. But when you twist them, the mics are then a 120 degree angle. This is good for picking up sources that are farther away, or even ambient sounds for a wider stereo image. If there was a metal cage over the mics, you couldn’t reach your fingers in to twist them. Overall, I would rather have a switchable pickup pattern, than a protective cage. Just don’t drop a $350 recorder.
Second, the packaging. Inside the box, the unit came with a hardshell plastic carrying case, usb cable, foam windscreen, ac adapter, mic stand adapter, manuals and cubase le software, and a 1gb memory card. This is leaps and bounds above the competition. Most other recorders won’t come with any of this. Other companies will even make you buy your own ac adapter and memory card. And Zoom went even further and added a plastic carrying case (for those of you worried about dropping it). They were definitely thinking about the customers on this one.
Third, and most importantly, the sound quality. This is why you buy the unit right? The sound quality has to be good or nothing else matters. Overall I was surprisingly impressed with the sound quality. I am an audio engineering student, going to school for sound reproduction, and sound reinforcement. Needless to say, I know my way around a microphone. I was expecting this unit to sound average, just like a pocket (or handheld) recorder usually sounds. But in fact, the H4n sounds pretty decent. The high end is nice and defined, the microphones built into the unit sound really clear. The one thing I can say about the sound is that it is accurate. I have recorded a few tests using my voice, a guitar, and some other misc. elements. I did notice that the microphones gave off a little bit of condenser hiss when the input gain was turned up. This could probably be solved or lessened if you were to get closer to the object and turn down the recording level. But still, it worries me to have a little bit of noise floor coming from the mics, especially if I were to use the recordings for post production video work.
The other thing I noticed was a lack of bass response. This could have been because I was a foot or two away from the microphones, but the bass on the microphones was a little lacking. My voice sounded a little thin. My guitar sounded fine, but guitars don’t really have a lot of low end in the first place. Also watch out for handling noise. If you think that you’re going to carry the unit around and do interviews while holding it, forget it. All handheld recorders suffer from this (I’ve read), but its true for this unit as well. Anytime you hold the H4n and move it around, you can hear low end rumbling and handling noise. Just use a tripod, or the included hand/mic clip adapter and you should be fine. (Also get a better windscreen if you’re going to use it outside, the one included doesn’t do anything outdoors for wind noise. You should buy a fuzzy or “hairy” windscreen if you want to use it outside)
Overall I think this recorder is the best on the market right now. Although there are a few units that have better sounding built in microphones (sony), it’s only marginally better. Plus the H4 is cheaper (by about $150) and has more build in features/functionality. Like the fact that the H4n can record with two built in mics, and two XLR mics simultaneously (4 tracks at once). This means that you can record with the built in mics, but also use your own microphones if you want to add variety, redundancy, etc. You can also just use the unit for a preamp if you only want to use your own microphones to record in the field. I won’t name off all of the features, but some included features weren’t even necessary and Zoom was nice enough to add them in anyway (guitar tuner, audio interface, stamina mode, MTR mode, 96k recording, etc).
Needless to say, if you need a recorder for any reason, even if it’s just for a school project, or for recreation, don’t buy the cheapest recorder you can find. Spend a little extra money and get the H4n, it’s seriously worth the extra cash for something that will last you much longer. It’s simply the best value for a handheld recorder on the market right now.
April 27th, 2010 at 6:47 pm
In looking for a portable handheld recorder for scratch tracks and samples, I weighed the benefits of a few of the handhelds available today and settled on the H4n. The other recorders on my short list were the Edirol R-09 and Sony PCM-D50, and also the H4. So far the H4n hasn’t disappointed.
I settled on the Zoom H4n for a couple of reasons:
1) 1/4″ and XLR inputs with phantom power – Very handy for throwing a mic on a kick and snare, and the H4n will record those plus the internal condensor simultaneously, which is perfect to get the rest of the drum kit for some quick loop scratch tracks.
2) More geeked out features than the others – They are not needed but still fun to have. The H4n is like the Leatherman of handheld pocket recorders with plenty of built in effects (which sound really good btw), built in 4 track recorder mode, tuners and metronome, playback speed control, MP3 encoder, acts as USB audio interface (both input and output), built in monitor speaker, and more. I also like the little things I’m still discovering, like when I put Ni-MH batteries in and then plugin in the adapter it recharges the batteries.
3) Build – I like the build quality compared to the H4 – Not as nice as the Sony but the thing does feel solid and substantial in your hand. The built in mics are a little exposed without a wire cage on the top like others have, it would probably not be a good thing to drop this unit and have the mics hit first.
4) Cost – This recorder was midrange even with it being brand new. It’s less than the Sony and more than the H4 or R-09. I suspect the price will come down a bit when it’s been out for a couple months down to where the R-09 is now. For what it has built in it’s amazing to be it’s as inexpensive as it is.
5) Sound quality – The H4n sounds clean. I believe turning on the built in compressor, or boosting a really weak input signal with a lot of input gain could cause hiss, but for the most part I don’t notice any. Usually the noise floor is so low on what I’ve recorded that it is not audible. Some different mics and setups might have different results, time will tell.
6) Menu and button layout – I really like the way they set this unit up. Very easy to navigate and record with, and does what I want quickly with only a few caveats mentioned below.
7) SD card format – SD cards are cheap and readily available. I don’t care so much for the memory sticks the Sony uses.
Now the downsides, maybe all these handheld recorders suffer from similar issues but I’m going to give my first impressions never having used one before and the H4n is the best I have to compare with:
1) Menu system – While easy to navigate, still feels like it could use refining through a firmware update. It feels like it wasn’t finished when the product shipped. The fonts look a little like a 5 year old put them together, Zoom could have done better with the screen they put in the H4n. A lot of products like this are rushed to market to meet revenue goals, so hopefully they will get time to take another look at the firmware and make UI improvements. Also the firmware is trying to be a little too fancy with the menus. There is a little expanding box effect that happens when you open a menu, but it ends up just looking like screen artifacts when changing the menus. It would have been better to immediately jump to the menu, it would be faster and would look better.
2) File naming (another UI complaint) – I really wish the firmware gave you the ability to delete a character in a file name. The filename can be edited, but characters can only be added or changed, not deleted. If you use divide alot, the name gets larger and larger but cannot be made smaller. This is a bit annoying when combined with the divide implementation….
3) No divide while recording – there is no divide while recording that I could find. It seems like it would have been very easy to make one of the unused buttons act like a divide when recording. Instead you can set a “mark” (non editabled btw, after one is set it is permament in that wav file). The marks let you easily jump to that point and divide it later, but when it divides the file you end up with an ‘A’ or a ‘B’ tacked on to the filename. Now, imagine recording an entire gig or practice with only marks to use to delimit the songs, and then you have to divide them later with the naming scheme and lack of delete character function I mentioned above. What you end up getting is files named something like ‘STE-001A.wav’, STE-001B.wav’, ‘STE-001BBBBA.wav’, and eventualy ‘STE-001BBBBBBBBBBBBBBBBBA.wav’ etc and there’s not a lot you can do on the device to fix it since the best you can do is replace the extra characters with spaces so that you end up with a file named something like ’song blah .wav’ (you can plug it in as a USB interface later and fix all the filenames in the folders, but not a lot you can do on site except stop and restart recordings versus using “marks”).
4) Documentation – I’m not sure what Zoom was thinking here. The documentation looks like it was passed through a translation program without any proof reading before shipping. It is filled with sentences such as “On stereo mode can be made 19 different setting using. WAV & MP3. If you want to change, operate before recording”. I get the general intent most of the time but it hurts. Luckily the unit is easy enough to use that you don’t have to rely on the documentation too much.
As I see it, the complaints I have are mainly around details of the UI implementation and documentation and relatively minor. All around the unit is great and a lot of fun to use. The sound quality is top notch, and the capabilities of the device are astounding. I would have given it 5 stars if the few UI details had been better thought out and someone had read the documenation. For a great all around handheld recorder with excellent sound quality, lots of features, and a reasonable price, the Zoom unit is going to be very hard to beat.
April 27th, 2010 at 7:27 pm
Among the many other recorders on the market today, I looked seriously at the H2 and the original H4. I ended up not buying anything for awhile because every single one of these devices seemed to be missing something or have a negative aspect that I just wasn’t enthusiastic about paying for. Then I heard some rumbling that Zoom was coming out with the H4n, which was supposed to be their response to all the feedback they’d gotten about the H2 & H4. So after all the good things I’d read about those two, the H4n had me at hello. I grabbed one as soon as it became available, which was about a month after they announced it. (Serial # 1438!)
I won’t review every little detail of the H4n but I’ll tell you the three major improvements that made me buy this:
- The screen is now a healthy size and displays everything you need to know clearly.
- The interface overall is a pleasure to use. You can operate it easily with one hand. It’s very intuitive and all the controls feel solid. I usually go through the manual once anytime I get a new piece, but for basic recording you really wouldn’t have to. Even the 4-track mode is a breeze.
- Zoom has really stepped up the build quality on this piece. Unlike its all-plastic predecessors, the H4n’s case is rubberized and the mics are solidly mounted on… what’s this, metal? It has a nice solid weight and feels pro. One thing I didn’t understand though: the original H4 had these protective pieces surrounding the mics and the H4n does not. But it’s slightly top-heavy and if dropped I can easily imagine the mics hitting the floor first and I’m pretty sure they would be tweaked/broken. Or what if you had this in your back pocket and sat on the mics? It’s like, for all the work they put into making this more durable, they left the most important part vulnerable. Which kind of makes me wonder whether the extra heft of this unit is just for feel, not for real. (Time will tell..)
I will primarily be using this to record DJ sets and sounds from the field. I did that this past weekend and the quality is just as good as the other reviews say it is. I’m looking forward to being able to record a stereo mix from the mixer, simultaneous with a room mix with crowd noise, in 4 channel mode. Also this is the first condenser I’ve owned and I look forward to using it in the studio. I leave some cables hanging off the back of the cable box so if I hear something on TV I can just plug in and hit record. I thought I wouldn’t use the 4-track but already it has me exploring ideas in the car. The built-in speaker is really handy. The FX are very high quality and there are some interesting ones beyond the typical reverb and delay.
The H4n is like the Swiss Army Knife of field recorders. The big one, with all the weird blades and tools you’ll probably never need. It’s one of those rare moments of technical glory when a company collects a ton of great ideas from their customers, refuses to compromise, and you end up with a truly inspired product.
April 27th, 2010 at 8:40 pm
I purchased the H4n after being unhappy with the H2’s performance most significant where I couldn’t record a good sounding signal that wasn’t distorted with the Line In jack. Only to find that the H4n has the same problem but not as bad. If I try to record a line level signal from a sound board or stereo receiver and connect to the H4n’s 1/4 inch jacks, it is almost impossible to not to have a distorted signal. It appears that on both models the line in preamp is too sensitive and clips very easily and because it is clipping in the preamp, adjusting the gain doesn’t correct it. I contacted Zoom’s tech support about the H2 and was told that I likely had a defective unit. I returned the H2 and decided to give Zoom another chance and try the H4n after seeing many positive reviews.
I really like the H4n’s design, the menus and controls are nicely organized. It feels more sturdy than the H2. The recording quality using the built in mics is excellent. Most other recorders in this price range don’t have XLR inputs. Since I plan to use it mostly for recording concerts by connecting to a line out or tape out on a sound board, if the line in jacks don’t work properly and can’t accept a normal line level signal without clipping, I can’t use this for what I bought it for. I have used my Sony minidisc recorder for the same type of application for the past 8 years and have never had any problems. I’ve worked with pro sound equipment for over 25 years and have used many types of recorders and so far the Zoom products are the only ones where I have encountered this problem. If you are using this to record with mics, it works great, but if you need to record from line level sources, the Zoom recorders may not be a good choice. I exchanged this for the Tascam DR-07 and while the Tascam doesn’t have as many bells and whistles, It is a nice recorder and I’m very happy with it.
April 27th, 2010 at 9:37 pm
Watch Video Here: http://www.amazon.com/review/R3FRRPZ182IDSH After having done a quick video test for the Kodak Zi8, I decided to do something which would focus more on its audio recording capabilities. I also wanted to test the Zoom H4n, a portable flash recorded I recently purchased… so, here I am, killing two birds with one stone.
I setup the Kodak Zi8 about 5 feet from the sound source, which is an upright piano… that’s me noodling on it. The Zi8 is mounted on a tripod.
About 15 feet away from the piano, I’ve setup the Zoom H4n recorder. This unit has an XY stereo microphone built into it. It also has the ability to record two inputs, in the form of XLR or 1/4-inch. So, we’ll be hearing the built in XY microphone on the unit as well as a pair of AKG 414s which I positioned above the piano, pointing into the open lid.
“Kodak Zi8 Internal Microphone”
Here we hear the internal microphone on the Zi8. Mono, a bit noisy and perhaps a little too close to the piano to capture a clean sound. In any case, this does the trick for capturing an idea, but definitely doesn’t cut it if you’re looking for high-quality audio.
“Zoom H4n XY Microphone”
Here the stereo image opens up suddenly. This XY microphone which is built into the unit is capturing a very natural, coincident stereo sound. It’s a very reflective room, so you hear that, as the microphone is about 15 feet from the sound source.
“Zoom H4n Pair AKG 414s”
Here we’re hearing the pair of AKG 414 microphones pointing into the piano. Because the microphones are very close to the sound source, there is significantly less “room” sound. This would be more suitable for a studio recording, while the XY sound would be more appropriate in perhaps a classical or field recording.
“Zoom H4n Mix of XY + 414s”
Here we have the best of both worlds. We have a blend of the direct signal from the 414s AND some of the room sound from the XY microphone. I believe this is the best overall option in most scenarios.
Finally we return to the Zi8 internal microphone to hear the major difference when using external audio equipment. At under $200, I believe the Zi8 does a great job capturing the visual and at under $300, the Zoom H4n does a remarkable job with the audio.
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